Add Bookmark | Recommend this book | Back to the book page | My bookshelf | Mobile Reading

Free Web Novel,Novel online - All in oicq.net -> Romance -> Urban treasure appraiser

Text Chapter 88 Replica

Previous page        Return to Catalog        Next page

    Fortunately, Su Xiaoqie is optimistic by nature, and if she doesn't understand something, she just puts it aside.  She also secretly reminded herself that this was not the time to be competitive, but the best opportunity to learn. Learning more from Zhou Xia and Xu Yaohui was the most important thing.

    After thinking about this, Su Xiaoru quickly let go of the burden in her heart and devoted more energy to observing how Zhou Xia and the two identified.

    Zhou Xia is still doing the same thing. Liu Yaohui's appraisal methods are actually not much different from his. As expected, they are both specialized in porcelain appraisal. The first thing they consider is whether the material is up to date.

    If the paper and ink carrying the French work are not from that era, then there is not much significance in identifying it, and it can be simply concluded as fake.

    Knowing that they were most likely imitations of the highest level, Zhou Xia was even more energetic. Deep down in his heart, he first treated these calligraphy and painting works as imitations.

    Not to mention identification, just judging from logic, what is the probability that all three authentic paintings of Li Keran will appear in Lao Wang's hands?  It was so low that Zhou Xia didn't want to think too much about it. The possibility of the three pictures being true at the same time was first reduced to zero.

    Then, Zhou Xia made an appraisal based on his own daily experience and the methods he just learned yesterday from Liu Yuanshan and Zhou Shu.

    Speaking of which, Zhou Xia is actually better at objective appraisal than subjective appraisal, so he also spends extra effort on pen and ink paper, which is the least likely to be faked.  , but if old paper is used, his technique will not be so bright. If he combines the mood of the Legalists when creating, and correctly understands a work, that is what he needs to challenge now.

    This requires the most comprehensive understanding of each Legalist, such as Zhou Xia's current appraisal of Li Keran.  What kind of mood did he feel when he created this work in 2008? Did any major events affect him that year?  What are the differences between the shepherd boy in his early works and the shepherd boy in his later works? What are the reasons?

    To make an accurate identification, you must first turn yourself into an encyclopedia.

    Although Zhou Xia can't really reach this point now, he has the help of the archaeological identification system, which allows him to work hard in this direction.

    Although it was only his first time to appraise Master Li Keran¡¯s works, Zhou Xia¡¯s final conclusion was the same as the final appraisal result given by the system.  This made him quite happy, but also a little regretful.

    Time waits for no one, so Zhou Xia also focused her energy on the last painting of Pan Tianshou.

    One of the most well-known Shanghai-style painters in modern times, Pan Tianshou's works are quite popular in the East China Sea.  As a result, a large number of Pan Tianshou's quality products flooded the market, and Pan Tianshou's was also the hardest hit area.

    Although Zhou Xia really hopes that she can gain something from Lao Wang and get off to a good start.

    But it was obvious that Zhou Xia felt that he had overestimated Lao Wang's integrity.

    Although Zhou Xia was not particularly familiar with Pan Tianshou¡¯s works, he still found flaws in them from other aspects.

    The title of this painting is: If you want to pick it up and give it as a gift, who else but a gentleman can do it?  In the autumn of the twenty-first year, Ah Shou.

    The autumn of the twenty-first year refers to the twenty-first year of the Republic of China, which is 1932.

    Zhou Xia feels that, according to common sense, if the works from that time are passed down, there should be some old marks.

    ¡°But the condition of this work is quite well preserved, and it feels quite new and eye-catching. It can be said that it doesn¡¯t look like something from the 1930s at all.

    In addition to the painting style of this painting, Zhou Xia felt that it was too simple and sloppy, just a few strokes perfunctory.  If Zhou Xia hadn't had some knowledge and accomplishments in calligraphy and painting, he might not have been able to tell what these paintings were.

    Therefore, Zhou Xia boldly concluded that this painting should be a replica, and it was a replica that was only produced in recent years.

    According to the usual practice, even if it is a work that Zhou Xia himself has sentenced to death first, Zhou Xia will let the system evaluate it.  After all, he is also a novice in calligraphy and painting. It is the most normal thing to make mistakes. It would be a pity to miss the authentic product without a system for identification.

    "This work was created in 1932 AD."

    The system¡¯s final identification result made Zhou Xia¡¯s glasses fall to the floor.  So much so that the first thought that came to his mind was, "Is the system having a seizure?"

    The system ignored him, so it was unknown whether the system had convulsed Zhou Xia, but Zhou Xia himself was about to vomit blood.

    If this is really Pan Tianshou's original work, it would be incredible.

    Zhou Xia, who was originally uninterested, suddenly became very interested again. He wanted to see what the system was doing.??This work was identified as being from the 1930s.

    With such a new level of brightness, unless it has been carefully cared for and preserved particularly well, it is more likely that it will still be new no matter how you look at it.

    And Zhou Xia¡¯s painting style was considered too crude, which also hit him a bit.

    He knew very well in his heart that if this painting was really created in 1932, it should really be an authentic work by Pan Tianshou.  At that time, no one had the vision to imitate Pan Tianshou's paintings, even though he was already somewhat famous.

    ? Then there is only one explanation, that is, the person Pan Tianshou gave the painting to, and future generations have protected the painting very well.  How Zhou Xia ended up living in exile again is unknown.

    But as you can imagine, the death of an elder and the selling of calligraphy and paintings by unscrupulous people are common dramas.

    Although there were some doubts, Zhou Xia still accepted the system¡¯s judgment that this painting should be an authentic work by Pan Tianshou.

    Since it is an authentic work, it should be bought. It is the first time that I buy calligraphy and painting works with Xu Yaohui. I have to please the lucky draw and get off to a good start.

    In this way, it is natural to bring up the more tacky topic of how much it is worth.

    Pan Tianshou's works are more popular in the East China Sea, but the orchid stone paintings are relatively simple and small in size. Like this painting, which is only 30*40 cm, it is easy to save and the price is not too high.  .  If it is genuine, it will only cost more than 100,000 yuan. Of course, if Zhou Xia and Xu Yaohui really spend more than 100,000 yuan to buy it, it will be meaningless, and it is not something they really want to collect. At this price, they cannot sell it.  goods, but will affect the flow of funds.

    Zhou Xia thought that the best result would be to buy this orchid stone picture at the price of a high imitation.

    In this way, you can make tens of thousands by flipping hands.  It would be a good thing if it could be sold to collectors who really like Pan Tianshou's works, but are surrounded by many imitations in the market and cannot find Pan Tianshou's authentic works. It would be unrealistic to collect all good and authentic things by oneself.  Even if he is the richest man in the world, he does not have the capital to do such a thing.

    But this is not an easy task, especially in the hands of an old fox like Lao Wang, so you have to pay attention to some strategies.

    In addition, Zhou Xia doesn¡¯t know whether Lao Wang knows that this orchid stone painting by Pan Tianshou is authentic.

    According to Zhou Xia¡¯s conjecture, given Lao Wang¡¯s urinary nature, this work should be regarded as a high imitation. After all, this painting does not look like the real thing.

    Another important reason is that the three works of Li Keran that this guy took out are not authentic.  He had lost all his integrity and dared to say that he took out these good things because of his friendship with Xu Yaohui. Zhou Xia really wanted to step forward and kick him in the foot.

    Xu Yaohui is quite stable and does not lose face with him. Perhaps it is because he has seen too many such things.

    No matter what, Zhou Xia feels that there is a chance.  If Lao Wang's asking price is too high, then let it go. Zhou Xia doesn't want to get his limited funds stuck in the quagmire.

    Zhou Xia was also secretly formulating words in her heart, thinking about how to deal with the old fox Lao Wang.

    While he was thinking about it secretly, Xu Yaohui also appraised these paintings and calligraphy works and came to ask him for advice.  Lao Wang realized what was going on at this time and did not come forward to disturb them.

    Xu Yaohui said that these two young men were his advisers, so they naturally wanted to discuss and summarize their opinions.  Lao Wang didn't think these two people had much discernment. Lao Wang knew the level of Xu Yaohui's appraisal of works. To put it bluntly, there was a big difference.  That feeling is on the same level as Lao Wang appraising porcelain.  At the same time, Lao Wang was also sneering in his heart. Xu Yaohui gave up his best field and thought of digging for gold in French works. Do you really think this job is so easy to mess around with?

    Xu Yaohui simply asked Zhou Xia's opinion, "Zhou Xia, what do you think of these works that Lao Wang brought out? I think that Li Keran's calligraphy work is still somewhat interesting. His, now  The market is indeed very popular, but the possibility that both paintings are genuine is too small. As for Pan Tianshou's painting, my opinion is the same as that of the cowherd painting, neither of which dates back to the last century."

    Xu Yaohui¡¯s words are right. If Mr. Wang heard this, he would definitely be angry to death.

    Zhou Xia didn¡¯t answer. She asked Su Xiaoru first, ¡°Xiaoru, tell me your opinion first! Then we¡¯ll see if we can all reach an agreement.¡±

    Su Xiaoru did not dodge and whispered her own opinion, "My opinion is the same as Uncle Xu's. Although I also want to take a good look at the cowherd picture we studied in the morning, but after seeing the twins at the auction  , I really don¡¯t dare to jump to the conclusion that I want to spend real money to buy paintings.In other words, that painting is definitely not the first choice.  "

    Xu Yaohui immediately asked, "What twins?"

    Su Xiaoru immediately told him the results of their study of the auction records in the morning, and added, "What I feel most deeply this time is that I feel that the gap between the pictures and the real thing is too big. I will never dare to look at pictures again."  Once it has been appraised, it can only be used as a reference."

    "This old bastard, Lao Wang, is too unkind." Xu Yaohui couldn't help but resented, "I only paid attention to porcelain before, and I didn't have time to pay attention to the calligraphy and painting works in this autumn auction. I didn't expect that such an oolong incident would happen  In this way, you can 100% choose to give up those two cow herding pictures. In the case of twins like this, the best way is to stay away from them. Moreover, the current cow herding pictures are rising with the popularity of Li Keran, and there is no one.  I'm afraid I can't get it for three to four hundred thousand, even if it's genuine, it's not worth it. Although this calligraphy work by Li Keran has always not attracted much attention, with the help of this stock wind, I'm afraid it will rise a little higher than before. I  The estimated price is 200,000, it depends on how much that bastard Lao Wang asks for it."

    Zhou Xia replied, "Uncle Xu, don't worry too much. It doesn't matter how much he bids for Li Keran's calligraphy by Li Bai."

    Xu Yaohui understood instantly, "Zhou Xia, you mean, you don't like that work?"

    Zhou Xia nodded, "Yes, I don't think that thing is true."

    Su Xiaoru said, "But I think it is consistent with Li Keran's calligraphy and painting style, and there seems to be no flaws in other aspects."

    Although Xu Yaohui said nothing, he obviously meant the same thing and was waiting for Zhou Xia's explanation.

    Zhou Xia said, "The style of that work is exactly the same as Li Keran's running script. Even the bell seal and seal are exactly the same. There is nothing wrong with the paper. But there is something wrong, and that is the ink on it."

    Su Xiaoru was a little confused. She had also carefully authenticated it, and it seemed that there was nothing wrong with it.

    Xu Yaohui was also confused, "According to Zhou Xia, is this a replica?"

    Zhou Xia replied, "Yes, this calligraphy is just a copy. Xiaoru, you have also seen that I first observed it carefully with a high-power magnifying glass to find flaws. What I have to say is that now high-tech scanning is used  When printed, the result can be real and fake. The style, charm, brushwork, seals, etc. that were used in the past are no longer useful when used on such replicas.

    Because this is a copy of the original, it is not like a handwritten imitation. No matter how similar it is, there is always some difference in charm.  The replica has no flaws in these aspects.  "

    Zhou Xia went on to say, "Reproductions of modern paintings such as Li Keran and Li Bai's poems and herding cattle pictures are especially easy to hide from everyone's eyes. Because they were very recent, the papers used are all the same. If they are well preserved, they will not be left behind."  The traces are also reasonable. Unlike the ancient paintings of the Ming and Qing dynasties and before, it takes a lot of effort to make them old, and it is often easy to show flaws in these places."

    "Then these copies are invincible!" Su Xiaoru was very angry, and she also understood why she looked so much like Li Keran's original work, because it was simply a copy!  It would be strange if it really didn't look like that!

    Zhou Xiandao said, "Of course, a copy is a copy after all, and it cannot be exactly the same as the original. If you look carefully, you can still find many clues. For example, the ink spots in the blank areas of the French works are the subtle traces left by the printer when printing.  It is impossible to leave something like this when painting by hand. Since the reproduction is printed, the pigments used are different from traditional ink. If you observe it in many directions under natural light, you will find that  It is impossible for some traditional inks to show objects and colors. Also, the degree of inking of the replica's ink on the paper will be different from that of hand-painted ink. It will be more uniform, rather than the different shades of the original. According to my observation, in addition  A picture of a shepherd boy and a cow is also a copy." (To be continued.

    {Piaotia Literature www.piaotia.com thanks all book friends for their support, your support is our greatest motivation}
Didn't finish reading? Add this book to your favoritesI'm a member and bookmarked this chapterCopy the address of this book and recommend it to your friends for pointsChapter error? Click here to report