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Text Chapter 172 Tang Sancai

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    After hearing Zhou Xia's words, Ma Gan and Mo Zi's eyes lit up, and even Xu Yaohui couldn't help but turn his attention to him again, feeling that Zhou Xia had made a big bet this time.  (None., pop-up window

    Zhou Xia then hurriedly explained, "My parents believe in Buddhism. I just thought that if I wanted to invite them, I would just invite them home. If you can invite them back,  , just give me a message, if it doesn¡¯t work, don¡¯t force it.¡±

    Ma Gan said with a smile, "I can see that my little brother is a filial person. For your kindness, our brothers will definitely do our best."

    "Hey, I'm afraid they won't transfer it back after they invited it back." Mouse replied with some worry. Neither of them were worried that Zhou Xia was deceiving them. He didn't have to. As long as there was enough profit,  They are quite happy to do such a thing.

    Zhou Xia smiled and thanked them. He would naturally speak in such a situation.  Moreover, his bid was acceptable enough. It was actually just a test. It would be best if it worked. If it didn't work, just pretend it didn't happen.

    Then, Ma Gan asked for Zhou Xia¡¯s contact information. Zhou Xia said that if he was not in Donghai by then, just ask them to give the things to Xu Yaohui directly.  Xu Yaohui has a closer relationship with them and has a basis for cooperation, so he is considered a reputable person.

    ¡° In this way, Ma Gan and Mouse don¡¯t have to worry about Zhou Xia talking nonsense.

    Of course, they also know that Zhou Xia is actually very smart. When they bargained with them before, they did not see him making such a request. Otherwise, they would definitely have to raise the price.

    Both of them have studied this Buddha statue carefully, and there is nothing special about it.  The only explanation is what Zhou Xia said, that he wanted to buy a group of them to take home to honor his parents.  Talk about liking something.  They are willing to pay more to get it. They have seen too many scenes like this. Although they still have some doubts in their hearts, they are still quite happy to do it if they can make half of it.

    They are not worried that others will rob them of their wealth. Only the two of them know who sold the two previous Buddha statues.

    And Ma Gan and Moazi wanted to be on the safe side.  He also reconfirmed Zhou Xia's intention, whether he was really willing to pay double the price for the Buddha statue, and the answer he got was naturally yes.  Zhou Xia also made it clear that she wanted to go back to her parents and show her filial piety.  And entrusted it to Xu Yaohui in person. With his guarantee, everyone would be more likely to cooperate.

    After dealing with this matter, everyone continued with the next transaction. This time, the things that Ma Gan and Mouse came up with were also relatively representative.

    So much so.  When Xu Yaohui saw him, his face became more radiant.

    Such a thing was what he expected when he saw the Buddha statue from the early Tang Dynasty.  But when I actually saw it, I still had some feelings.

    This is a three-color horse riding servant.

    Among the antique collections of the Tang Dynasty, they are the most well-known, even for the artifacts used as funerary objects.  But the audience is quite broad, and there are quite a lot of people who like to collect it.  The market prospects are huge.

    Regrettably, most of the Tang Sancai on the market today are modern imitations. It is not easy to see the real Tang Sancai again.

    Because the craftsmanship of Tang Sancai is not particularly complicated, the process flow and formula are no longer secrets.

    ? ? ? ? ? ? ? ? ? ? ? ? ? To be honest, Tang Sancai is pottery, and there is a big gap between the firing process and the firing of porcelain, both in terms of process and artistic visual effects.

    As for imitations, it is obviously easier to imitate Tang Sancai.

    There are highly skilled imitators who have refined the art of firing Tang Sancai to the point of perfection.  But there is still a difference between imitations and genuine products.

    The most difficult thing to do is to leave traces of the vicissitudes of time on Tang Sancai.

    Because they were used as artifacts and were buried with them, Tang Sancai has always been in tombs. In other words, the real Tang Sancai is basically unearthed and cannot be passed down from generation to generation.

    If it is in a tomb, it will inevitably be eroded by water, soil and other things. It is inevitable that traces will be left on the Tang Sancai.  The most common thing is that the soil on Tang Sancai is rusty. The authenticity of the rust is also an important factor in identifying whether Tang Sancai is authentic.

    Although the modern imitations of Tang Sancai are almost as fake as real ones in terms of appearance and other aspects.  But distressing is still a process that cannot be avoided.  In order to achieve realistic effects, almost all new imitations of Tang Sancai have been buried underground.

    In order to quickly achieve the effect of more than a thousand years, counterfeiters use all possible methodspole.

    The most common method is to bury it underground and use feces and the like to corrode the newly imitated Tang Sancai. The effect is also obvious.  But there is also an important flaw, that is, the smell is likely to remain on the things produced in this way.

    When Zhou Xia saw the three-color equestrian figurine they took out, she sniffed almost subconsciously, wanting to smell it to see if there was any smell or other strange smell.  If there is an odor, then you really don¡¯t need to look any further, it is definitely a new imitation.

    Although Ma Gan and the others had brought out Buddhist statues from the Tang Dynasty before, this does not mean that what they took out later were all genuine.

    "These old fritters are all very cunning, and they mix the real and the fake. They are the easiest to fool people and be deceived. Everything must be based on specific things.

    Fortunately, Zhou Xia didn't smell such a smell, otherwise, thinking about it would make her feel sick.

    But this does not mean that these three-color equestrian figurines must be Tang Sancai.

    You know, there are ways to remove the smell.

    Furthermore, in addition to the most famous three-color pottery figurines of the Tang Dynasty, there are also three types of three-color pottery figurines from the Liao Dynasty, the Song Dynasty, the Yuan Dynasty and so on.

    Xu Yaohui was more interested in this, so he rushed to the front to appraise this three-color equestrian figurine.

    Zhou Xia was playing drums nearby, seemingly casually, but in fact he was still doing the appraisal very carefully.

    He was also thinking about some techniques for appraising the Tang Sancai.

    First of all, you still have to check whether the shape of the instrument is correct and whether it was made up by later generations.  This kind of situation can often be seen in low-level Tang Sancai imitations.  High imitations of Tang Sancai will basically not make such mistakes. Many high imitations are based on the original Tang Sancai, and can even be said to be identical copies.

    Secondly, it depends on whether the color of the three-color figurines is correct.  Tang Sancai, as the name suggests, has three colors, yellow, brown, and green. If you don't have these basic characteristics, you don't need to look at it at all.
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