Add Bookmark | Recommend this book | Back to the book page | My bookshelf | Mobile Reading

Free Web Novel,Novel online - All in oicq.net -> Romance -> Urban treasure appraiser

Text Chapter 174 Hua Ci

Previous page        Return to Catalog        Next page

    If this Tang tricolor painting is true, it would be quite helpful for Zhou Xia to decipher the secret of the previous gilded bronze Buddha statue.  Until now, he still couldn't understand why the Buddha statue was counted as two precious cultural relics by the system.

    Seeing that Xu Yaohui wanted to buy this Tang Sancai, Zhou Xia also wanted to help him.

    Then, Zhou Xia used the ability given to him by the system to determine the age of the Tang Sancai equestrian figurine in his hand.

    The results obtained were made in the same year as the previous gilt-bronze Buddha statue.

    This made Zhou Xia suddenly confused. Could it be that the last year of Zhenguan was prepared for Tang Taizong Li Shimin.  Ma Gan and Mouse stole Li Shimin's tomb.

    It¡¯s not surprising that he has such an idea, but it¡¯s just a guess. If Zhou Xia really asked the mice, they wouldn¡¯t answer him honestly.  After all, there are too many involved, and no one will compare their feelings with each other.

    ¡°In the end, what Zhou Xia cares most about is whether he can get the other two Buddha statues. Even if there is a glimmer of hope that they are precious cultural relics, it is worth his try.

    For this reason, Zhou Xia didn't waste much time. He just concluded that this was an authentic product and re-experienced the characteristics that this authentic Tang Sancai should have.

    This time, Zhou Xia's feelings became even more profound, especially the sense of antiquity of the Tang Dynasty tricolor paintings.

    Because the authentic products were placed in damp tombs or buried in the soil before they were unearthed, they were corroded by earth air, moisture, and soil for thousands of years. Some of them were left indoors for a long time after they were unearthed, and were affected by changes in air and cold and warm, and their surfaces were completely damaged.  Nothing new, just stale and natural.

    Looking at this authentic Tang Sancai, the old feeling is extremely natural, rich in layers, and deeply rooted in the bones.

    He gently tapped one or two places on the tire surface and found that the old feeling penetrated from the tire surface to the inside.  And high imitation tricolor tires.  Although it has an old feel after being treated, it does not have the natural feeling of the genuine tire that has been exposed through years of erosion. The old feeling is only on the surface of the tire and has not penetrated into the muscle. The new feeling is vaguely discernible, and there will be no old feeling seeping into the tire.  phenomenon here.  If you tap on the tire surface, you will see that the "old" is only a layer of the tire surface and the "clothes" of the tire. Unlike the original, the old feeling and the tire are integrated with each other and inseparable.

    This feeling of almost hindsight is certainly more intense than before it was unknown.  It also impressed Zhou Xia even more.  At this time, Zhou Xia didn't care whether it had been authenticated or not. He only eagerly absorbed the experience and knowledge involved, even if others were willing to teach them.  It also needs to be experienced personally before it can be used as a basis for identification.

    ¡° Later, he also quietly told Xu Yaohui the conclusion he had reached. It was up to Xu Yaohui himself whether he wanted to take down this Tang Sancai equestrian figurine.

    "Do you want to collect these Tang Sancai?" Xu Yaohui did not forget to ask him.

    Zhou Xia shook his head. He didn't have much money in hand and didn't want to spend it on this.

    Xu Yaohui nodded.  He could then safely bargain with Ma Gan Mouzi. He was a veteran in the industry and had already identified the Tang Sancai as genuine, and then Zhou Xia nodded his approval.  That's basically a sure thing.

    Zhou Xia didn¡¯t have to worry about Xu Yaohui¡¯s bargaining skills. He couldn¡¯t help, so he took advantage of their busy schedule to carefully appreciate the various characteristics of the Tang Sancai.

    Even though the lights in this small hotel are dim at night.  For Zhou Xia, who has been hanging out in the ghost market for so long, it is not a big deal.  Use your flashlight and magnifying glass.  Carefully study the openings, colors, etc. on Tang Sancai.  He wanted to be very aware of it so that if there were Tang Sancai in the future, he would be able to identify them easily even without the use of an archaeological identification system.

    During this time, what Zhou Xia observed more was the glaze on the surface of the Tang Sancai.  Originally there are other methods, such as the identification method of putting the exposed part of Tang Sancai into water. If it is genuine, it will appear moderately pink after being taken out. If the exposed part of the imitation is put into water, it will appear earthy white.  .  But in reality, people rarely give you such an opportunity.  After buying it home, you can try to make such an appraisal yourself.

    The identification method of glaze is undoubtedly more direct and more in line with Zhou Xia's consistent identification standards.  As far as he knew, the glaze of Tang Sancai is essentially a kind of bright glaze. When it is first fired, it is bright and dazzling. After a hundred years, the luster gradually fades and becomes warm and crystal clear. The glaze gradually becomes soft and natural, with a pure and precious light.  Overflowing.  According to the experience summarized by predecessors, the glaze of Tang Sancai is always soft and moist according to the artifacts unearthed from the tombs so far. Unless the glaze is severely corroded, the genuine Sancai will not lose its soft luster.  .

    The Tang Sancai that Zhou Xia saw now has this kind of radiant luster.

    There are quite a lot of details in this, but at this moment, Zhou Xia had no time to take a closer look, so he could only look back and study it in detail.  Because, Xu Yaohui and MaThe negotiation between the two soon came to fruition, and finally the Tang Sancai equestrian figurine was bought for 60,000 yuan.  Xu Yaohui has the channels, but it is still difficult for people to display Tang Sancai in their homes. After all, with the explosion of information, few people who are involved in antique collections do not know that Tang Sancai is a famous artifact.  Such stupid things happen.  This price will naturally not be too high.

    But Zhou Xia could tell that the two of them were quite satisfied with the price.  To be honest, it is more profitable to sell imitations and fakes. The cost is basically negligible. Basically, as long as you sell it, you will make a profit.

    Then, Xu Yaohui put away the Tang Sancai and asked them not to hide any good things, but to take them out and look at them all.

    Ma Gan and Mouse smiled, and after the funds transferred by Xu Yaohui arrived in their accounts, they took out another jar.

    After Zhou Xia saw it, he was even more convinced that these two guys must have dug a tomb from the Tang Dynasty.

    Because the thing they took out should also be from the Tang Dynasty, it is called Hua porcelain. It is generally called "Tang Jun" or "Tang Huajun" in the antique shop.  It can be said to be the predecessor of Jun kiln. The famous Jun kiln of Song Dynasty evolved from this, and it was better than the previous one.

    Among the flower porcelain, the most typical one is Lushan flower porcelain.

    Zhou Xia specializes in ceramics, so she is of course very interested in Tanghua porcelain.

    According to what he has learned, the types of flower porcelain in the Tang Dynasty are quite rich and diverse.  It is a high-temperature ceramic glaze that uses black glaze or yellow glaze as the base glaze, and is decorated with multi-layer glazing with blue spots, brown spots, and moon white spots. Its decorative effect is similar to that of Tang Sancai.  I have just finished appraising Tang Sancai, and it is indeed interesting to look at this Tang Hua porcelain.  Both of them reflect the majestic culture and art of the prosperous Tang Dynasty with their colorful colors, and their artistic impact is quite large.

    Xu Yaohui next to him laughed out loud, "Fortunately it's not a waist drum, otherwise, I wouldn't dare to look at it."

    Ma Gan smiled and responded, "Boss Xu is joking, we have cooperated for so long, and we will never lose each other's credibility because of this."

    Knowing the allusions, Zhou Xia naturally understood what they were saying.

    Tanghua porcelain is produced in Lushan kiln, Huangdao kiln, Yuxian kiln, Neixiang kiln, Shaanxi Yaozhou kiln and Shanxi Jiaocheng kiln.  It has many shapes, including pots, plates, pots, flower pots, waist drums, etc., among which pots are the most popular, and waist drums are the most famous.  "Jiegu Lu" written by Nan Zhuo of the Tang Dynasty once recorded that ceramic waist drums were popular in the Tang Dynasty, and the place of origin was "either Qingzhou stone powder or Lushan flower porcelain." This also shows that Lushan flower porcelain is the best among them.

    The most famous waist drum mentioned by Xu Yaohui is a flower-glazed waist drum kept in the Palace Museum.  Its shape is huge and its glaze color is bold and unrestrained. It is a national first-class cultural relic.  It has the same texture and glaze color as the porcelain pieces unearthed from Lushan Kiln, so it can basically be confirmed to be a product of Lushan Kiln.  However, a flower-glazed waist drum unearthed in Shaanxi in the 1980s was a product of Yaozhou Kiln.

    Generally speaking, for the cultural relics collected in the Palace Museum, you can basically find corresponding items on the market.

    This Lushan flower porcelain waist drum is no exception. Since the 1980s, imitation Tang flower glaze products have appeared on the market one after another.  It first started in the Lushan area. The most eye-catching one is this imitation of the Forbidden City Tibetan Glazed Waist Drum. The imitation was purchased by cultural relics dealers and seized by customs in Guangzhou. It was later exposed on the TV station, which caused quite a stir.  Less attention.

    However, this wave has not subsided, and another wave has arisen.  A very famous museum in the Mainland also collected a flower-glazed waist drum and issued a letter of certification from the local police station, proving that the drum was found in a tomb excavation.  It is really difficult to tell clearly whether it is true or false, but if you compare it with the waist drum in the National Palace Museum in the most detail, you can still identify the authenticity.

    Of course, we do not rule out the existence of Tanghua porcelain waist drums in other places.

    Once this imitation comes out, naturally few people will be fooled, and there are not a few people who are fooled by the fake waist drum and think that they have a collection as good as the National Palace Museum.  Up to now, the imitation of flower glaze has been extended to other areas in Henan.

    As the most typical waist drum of Tang Hua porcelain, it naturally keeps pace with the times.  Later, because the data unearthed from the site proved that the flowered porcelain waist drums came in various sizes, large and small, so the sizes, shapes and models of new imitation waist drums appeared on the market.

    Xu Yaohui brought up the flower-porcelain waist drum at this time, which was what he was talking about.

    After all, this flowered porcelain waist drum is causing quite a stir. If you didn¡¯t know, how dare you say that you are in this industry, and that you specialize in ceramics?

    Of course, Xu Yaohui also had another meaning when he said this, which showed that he was knowledgeable and made Ma Gan and the others restrain themselves.??Don't fool us with some fake imitations that have good value.

    It¡¯s no wonder that Xu Yaohui was cautious. When he traded with Ma Gan and the others before, some of the things they took out were true and some were false.

    This is a common practice in the industry, but Xu Yaohui remembers that he must tighten his nerves at all times and never listen to stories. He prefers to trust his own eyes and experience.

    In Tang Jun, in addition to the most crazily counterfeited waist drums, there are also many imitations of pots and jars.
Didn't finish reading? Add this book to your favoritesI'm a member and bookmarked this chapterCopy the address of this book and recommend it to your friends for pointsChapter error? Click here to report