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    Liu Yuqing came here mainly to see paintings.

    She quickly found her target, which was very eye-catching and placed on the table. The two paintings were not even rolled up.

    So that as soon as she got closer, she could see clearly.

    It doesn¡¯t matter if you don¡¯t look at it. After a cursory glance at this one, Liu Yuqing realized that these two paintings are quite interesting.

    The first impression she gave her was quite good. First of all, the silk paper was the kind of old silk paper that was extremely clear and open to the times.  The combination of a figure painting and a landscape painting made her feel inexplicably fond of it.

    She quickly regained her composure, and when she took a closer look, the shock she felt to Liu Yuqing's heart was unparalleled.

    She first paid attention to the portrait. There were not many simple portraits like this that could be handed down.  And this portrait is obviously the king among them. In addition to the obvious imperial clothes, the characters in the portrait have a strong imperial aura. It is not too much to describe them with words such as arrogant and egotistical.  In short, Liu Yuqing felt that this was definitely an emperor with the supreme status at that time.  Looking at the signature again, the familiar but unfamiliar feeling suddenly made her feel like a stormy sea, and she couldn't control herself.

    She said she was familiar because she had often heard of the author's name; she said she was unfamiliar because almost no one had seen the author of this painting in the past nearly a thousand years. Naturally, Liu Yuqing also  No exception.

    His name is Lu Tanwei.

    Liu Yuqing¡¯s mind quickly flashed various specific information about Lu Tanwei.

    With her genius-like mind, it is not difficult to imagine how valuable a painting like this would be if it were an authentic work by Lu Tanwei.

    ???????????????????????????????????????????????????????????????????????????????????????????????????? Because no works have been handed down, only some people's descriptions of his works are left. What is the style of his works and what kind of realm he has become a saint are worthy of careful study by everyone, and even worthy of a lifetime of experience by future generations.  Go explore.

    But there is no doubt that Lu Tanwei's painting style had a considerable impact on later generations, for hundreds of years to come.  All of them deeply influenced the artistic trend of that era, especially the portraits and Buddhist statues that Lu Tanwei was good at.  Elegant bones and clear images are the best summary of Lu Tanwei's painting style.  Even, the entire history of Chinese art.  6 Exploration also occupies a very important position.

    Once his authentic work is released, the sensation it will create is obvious.

    Although Liu Yuqing is not an expert in calligraphy, painting and calligraphy, she has been exposed to it for a long time and is particularly sensitive to the prices of such Chinese calligraphy and painting works.

    In her opinion, if a painting like this were to be sold at auction.  The price will definitely not be lower than any current ancient calligraphy and painting works, especially when the market is not very prosperous now and high-quality products are not sold out, and there are only a handful of items worth hundreds of millions.

    Up to now.  Among the ancient Chinese calligraphy, painting and calligraphy works, the one with the highest price at auction was the "Main Pillar Inscription" volume by the Northern Song Dynasty calligrapher Huang Tingjian, which was sold in 2010.  It was auctioned for a sky-high price of 436.8 million yuan.  This is one of Huang Tingjian's most important calligraphy treasures scattered among the people.  This hand scroll is 11 meters long, with a center length of 8 meters.  The content is "The Pillar Inscription" written by Wei Zheng, the prime minister of the Tang Dynasty who was most highly regarded by Huang Tingjian during his lifetime. The full text is more than 600 words.  The volume contains a large number of inscriptions, postscripts and seals by collectors from Jia Sidao in the Song Dynasty, Xiang Yuanbian in the Ming Dynasty to the Qing Dynasty and the Republic of China.

    Then, there is the masterpiece "Zhichuan Migration Picture" by Wang Meng, a famous painter in the Yuan Dynasty and one of the "Four Yuan Schools".

    In the 2011 spring auction list of 100 million yuan, Wang Meng's "Migration to Wakkawa" sold for 4.025 million yuan at Beijing Poly Spring Night Auction, second only to Beijing Poly last year among ancient paintings and calligraphy.  The auction of Huang Tingjian's long calligraphy scroll "Inscription on the Pillar Pillars" has become the most expensive painting in ancient Chinese calligraphy and painting.

    But Liu Yuqing has enough reasons to believe that once the painting in front of her is proven to be the authentic work of Lu Tanwei, even if it is left to their Tiandi Auction Company to operate, these historical records will definitely be rewritten.

    Of course, there are still many existing calligraphy and painting works that are not as valuable as this one.  For example, "Along the River During the Qingming Festival" collected in the National Palace Museum, and other famous paintings handed down from ancient times such as "Ode to the Goddess of the Luo River", "Dwelling in the Fuchun Mountains", "Han Xizai's Night Banquet", etc., are undoubtedly national treasure-level cultural relics with great value.  All quite high.

    As for which one is higher and which is lower, aside from the academic opinions that no one can convince, according to ordinary people¡¯s most intuitive understanding, the auction price is naturally the best proof.

    ¡°But these works are basically kept in major museums, and there is no way to enter the auction market for auction.

    "This work, as long as it is handled properly, still has the opportunity to enter the auction market and become a private collector, as well as various??The target that museums compete for.

    Liu Yuqing conservatively estimates that if this painting is authentic, the auction price will exceed the 436.8 million yuan of Huang Tingjian's "The Pillar Inscription", which is definitely not difficult.  It is no exaggeration to say that a national treasure-level cultural relic like this is rare in a thousand years. To measure it with money is already the greatest insult to it.

    "It's just that Liu Yuqing feels that living in this world, being ignorant of nobility and coolness is absolutely unacceptable.

    Right now, the most important thing is to identify whether this painting is authentic.

    Liu Yuqing quickly gathered her mind, carefully combined the impressions of Lu Tanwei's words from later generations, and began to appreciate them.  She felt that at the very least, she couldn't find any obvious faults.

    It is not easy to truly prove that this is an authentic work, and there are still many areas that need to be verified.

    Such a work is definitely not the kind of inheritance that is orderly. Although it is mentioned in the information, the possibility of fraud still exists.

    After Liu Yuqing saw it herself, she didn¡¯t find anything wrong with it. She just asked Zhou Xia, ¡°Do you think this painting is truly an authentic work by Lu Tanwei?¡±

    "From my own point of view, this portrait is definitely the "Portrait of Emperor Ming and Song Dynasty" painted by Lu Tanwei himself." Zhou Xia replied. When Liu Yuqing just made the appraisal, he also used the special function given by the system.  Ability, the portrait was appraised, and the results showed that this painting was made during Lu Tanwei's life.

    This was not beyond Zhou Xia's expectation. Anything that could be systematically identified as a precious cultural relic was basically impossible to be a forgery from later generations, but he could not explain this to Liu Yuqing.

    Liu Yuqing chuckled and said, "That's true. I think there is a 99% chance that this painting is authentic. I also want to ask where this painting comes from."

    Liu Yuqing then added, "If it's not convenient to talk about it, forget it." (To be continued)
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