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Text Chapter 554 Witchcraft

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    Qiu Yuji ran from one end to the other, dancing with joy. This was the most irrational day Luo Ping had ever seen her in since he met her. Her whole person felt like a Smecta.  "Ahem, excuse me." Luo Ping pointed to the bronze utensils and said with some embarrassment: "Yu Ji, look, these bronze utensils seem to be embedded in the stone wall, and we can't take them off." He was getting excited.  When Qiu Yuji heard what Luo Ping said, he immediately stopped and took a closer look at the surrounding bronzes. Sure enough, he found that these bronzes were firmly embedded in the stone walls. In order not to destroy the cultural relics, Qiu Yuji did not dare to  Touching it directly with your hand was like a child who couldn't get a toy and was anxiously circling around Luo Ping.  Anna looked on in amusement, spinning the dagger in her hand several times in the air, indicating that it would be OK to use it. However, Qiu Yuji immediately stretched out her arms to block the cultural relics, preventing Anna from succeeding, and also told Anna something about  Knowledge on the protection of cultural relics, tell the other party not to use sharp tools to dig out these cultural relics under any circumstances.  Smash it, slap it, Anna helplessly spread her hands, and finally went to take care of Long Xin and Nakamura Noriko.  In fact, when Qiu Yuji was explaining to Anna, Luo Ping was also carefully staring at the surrounding bronzes. He soon discovered a strange thing. He didn't know when a headless ghost traveling map appeared among the bronzes.  , and the strange thing is that after Luo Ping walked over, he felt nothing on his chest. This was the first time this happened, and Luo Ping suddenly became alert.  Just when Luo Ping was about to notify Qiu Yuji to let her pay attention, suddenly all the bronzes in front of him disappeared into the stone wall, replaced by various strange pictures.  "Ah, what are these?" Seeing this strange scene, Qiu Yuji was so frightened that he jumped away from the stone wall.  "Since ancient times, the Chu culture worshiped witchcraft and often used music, dance, and painting to please the gods, and these things often used bronzes as carriers to spread them. In addition, the bronze production technology of Chu State was the top in the country at that time, so it was often  The bronzes unearthed from the Chu Kingdom are the most popular, but at the same time, the witchcraft on the bronzes is not really understood by people. Every character and every action in these pictures has hidden factors, which need to be revealed secretly to get the essence of Chu culture.  " Just when Luo Ping and Qiu Yuji were staring at each other, the little girl Long Xin who had woken up suddenly appeared behind them.  Since the little girl learned Qing Kung, everyone has become accustomed to her elusive figure.  But I didn't expect that she knew Chu culture so well.  "The State of Chu was established in Jingshan Mountain, with blue roads and blue roads to open up the mountains and forests. After hard work, the entire social economy has been greatly developed. Especially in the Spring and Autumn Period, the hero of the Chu State, King Chuzhuang, achieved domineering power and left behind 'three  It is an eternal legend that if one does not sing for three years, one will soar to the sky; if one does not sing for three years, one will become astonishing. The Goujian Sword of Yue State and the Fuchai Spear of King Wu were both unearthed from Chu tombs, but these two items are not the highest metallurgical artifacts in Chu State.  The level of copper is not a symbol of social culture. It is precisely the dragon and phoenix figures in the murals that are the essence and representative of Chu culture. Moreover, the people of Chu have been extremely intelligent and reverent to gods since ancient times. Even King Zhuang of Chu  The tomb also adheres to this point, and everywhere in it reveals a sense of awe for ghosts and gods. Here we can also see that the owner of Zhanghuatai at that time, King Chu Ling, admired ghosts and gods, so that its ancient  There are almost no traps in the tomb, only the last one uses the gods to create a door key for the endless treasures behind her. " Hearing what Long Xin said, Qiu Yuji nodded in agreement. The reason why she came to Jiangcheng to teach at that time was very important.  Most of the reasons were for Chu culture. Unfortunately, there were reasons for the incident at the time, which prevented her from having a deeper impression of Chu culture. Now after Long Xin said this, she immediately recalled some of the knowledge she had learned very early, especially  Regarding some of the traps and traps in the Chu Tomb, she felt that the little girl Long Xin suddenly hit the point. She really wanted to go up and kiss the girl Long Xin, but in order to prevent Luo Ping from misunderstanding, she still endured it.  "Then, Long Xin, do you know the meaning of these pictures?" Qiu Yuji asked expectantly.  "Uh I don't know. What I said before was what I heard from my uncle when he was chatting with the master. As for the real meaning of these patterns, I heard the master said that if you don't study for decades, you won't be able to figure it out.  " Qiu Yuji's face was originally full of excitement, but as Long Xin poured a basin of cold water on her, her face suddenly dropped, and her mouth was like a little girl's, which could hold a soy sauce bottle.  "Although I don't know much about it, I seem to have remembered something, and I don't know if it can be of any use." Luo Ping couldn't bear to see Qiu Yuji's sad look, and hurriedly touched his chest, and then walked to the wall  Above, carefully observe the patterns of dragons, phoenixes, humans and horses in the picture.    I have to say that these patterns have been washed away for thousands of years, but they are still colorful. Of course, this is also related to the geographical environment of Chu State. Compared with the ancient tombs in the north, most of the ancient tombs in Chu State in the south are  It is built on a plain, and most of the underground water on the plain is relatively high. Not only can the famous lacquerware of Chu be perfectly preserved, but these pictures are also perfectly preserved.  "The pictures here are divided into three categories. The first category is craft paintings similar to 'painted wood carving vases', the second category is elegant and gorgeous patterns based on dragons and phoenixes, and the third category is figures, with or without  Some have heads, some are missing arms and legs, and some have three heads and six arms. Undoubtedly, this type is the focus of our research." Hearing what Luo Ping said, Long Xin and Qiu Yuji both came forward and forgot about it, and they found that these patterns were roughly the same.  Divided into three categories, the third category accounts for the largest proportion, and most of them are concentrated in the center of the wall.  As Luo Ping spoke, he touched one of the murals with his hand, and suddenly a subtitle appeared on his chest.  "According to "Analysis of the Classic of Mountains and Seas", witchcraft is a kind of magic that uses the mysterious power of gods to influence or control certain people and things. In the ancient Chu State, people generally called the magicians witches for women and êê for men.  . Witchcraft uses and manipulates certain superhuman powers to influence human life or natural events through certain ritual performances to meet certain purposes. In Chu culture, witchcraft ritual performances often take the form of abstract songs and dances.  Some kind of trance rituals and spells constitute the main content of witchcraft. Witchcraft is based on a specific person with natural abilities, who is trained to have the ability to control anything, using Qi, blood, wisdom, prediction, and so on.  It is said that the witchcraft of Chu culture is also related to Wudang Taoist culture. "
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