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Volume 3: A blow of destiny, the king appears Chapter 39: Real realm, Chinese art

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    The author made it clear that he was learning while writing, learning the true realm he wanted.  Baidu search p om)

    Hahaha!  Those who can't keep up, readers, the Pegasus is flying very fast and is very elusive. The easiest thing to follow is not the Pegasus, let alone a starry sky dragon that flies through the sky and escapes from the ground!

    Only the dragons of heaven and earth can catch up with the dragons of the same kind in the sky. Only gods in the human race can understand what gods are thinking. Only those who surpass gods can fully understand the author's truly simple words, free and comfortable.

    congratulations!  If you understand everything, you are really strong, but don¡¯t be too strong, because if you are too strong, no one can understand you; then you are an absolute leader in the world!  The absolute king of spiritual loneliness, haha

    Mr. Beidiao, the second leader of the Wanderers, rushed out of the black hole beast's area.  Since the Dark King was too far behind at the beginning, he could not catch up with the seven people in front no matter how hard he tried.

    However, what is unexpected is that Mr. Beidiao was not attacked immediately like the previous Transcendent Lord. I can't help but feel a little confused?  Why was the Transcendence Lord attacked in the crystal building, but nothing happened to the second Mr. Beidiao who arrived?

    Nanfeng Bujing, who was the third to arrive, was also fine. The two of them were amazed by the strange and imaginary world inside the crystal building in front of them.

    When Zhuangzi, the fourth one, arrived, a change occurred. Three bombardments arrived in the blink of an eye. Mr. Beidiao and Nanfeng Bujing were instantly killed, while Zhuangzi narrowly escaped as a shadow

    Before class, look at the "Mona Lisa" picture on the wall.

    Mu Xin: "With this mouth there, I don't know how many paintings there are. Are you going to touch it? Da Vinci himself can't touch it."

    This is the class I taught when I was sixty-seven years old.  When you are sixty-seven, you can take a look.  Like wine, it matures slowly with sunshine, rain and dew.

    Mrs. Woolf said: You will not understand what I say.  She was also in her sixties at that time.

    Age is very important.  I'm in my thirties or forties.  When I was fifty, I read Woolf. When I was over sixty, I understood it - I understood what she was right and what was wrong.

    I dare to say that what I said today can be read by you when you are in your sixties. After reading it, you will think: Fortunately, I listened to Mu Xin¡¯s words.

    I listen to myself.  What I heard was what others told me.  For example, Nietzsche, I listen to him.  It is impossible to imagine Nietzsche without him.  Without the words of previous artists, mine would not be possible.

    Fortunately, we live in the twentieth century, with more than two thousand years of history ahead of us, or even five or six thousand years of history.

    I have a love-hate relationship with square characters.  But what I write most satisfyingly is poetry, which foreigners cannot understand.  poetry.  Can't turn over.  No matter how well foreigners learn Chinese, they can only learn Chinese and prose, and they are desperate for poetry.

    Chinese characters can only be born in China and die in China.  Think about it again: If you can live and die with Qu Yuan and Tao Yuanming, that's fine.  My anger subsided, and I finished the story of world history obediently.

    There are more and more modern art schools.  This is a bad sign.  Last time I talked about a formula: intuition-concept-idea.  From Greece to Renaissance to Romanticism.  Humanity can be classified in the age of intuition.

    The era of intuition is very long, and later schools all want to enter into concepts alone.  But they all fell into the concept of intertwining time and space.

    So I angrily classified all the art of the 20th century into the conceptual era.  In the future.  According to idealism, what is coming is the age of ideas.

    ¡°As for me, I am a patriot who has turned his back, an idealist who has turned his back, and I look backward.  I take ancient art as my ideal, and I am very envious of their ability to create art intuitively.

    I love the art of human prime, youth, boyhood, and childhood - culture has no infancy - the most lovely stage of human beings is his childhood and adolescence.

    Taking Chinese poetry as an example, there are three hundred poems in the Book of Songs, at least thirty of which are the best poems in China.  When we arrived at Qu Yuan and Tao Qian, we had a closer look and we already had an idea.  Qu Yuan is a vanilla beauty, and Tao Qian is always drinking and drinking.

    The three hundred chapters of the Book of Songs have no concept at all and are completely virginal.

    Li Bai and Du Fu are even more conceptual.  By the Song, Ming, and Qing dynasties, poetry was all conceptualized.  From this point of view, my patriotism turned against me and my idealism turned against me. Things were helpless, but they happened for a reason.

    Let¡¯s talk about it: What does a person do when he comes to this world?  Love the cutest, best-sounding, best-looking and most delicious things.

    I can¡¯t find so many cute, nice-sounding, delicious, and nice-looking ones, so I know what is good.  My survival during the Cultural Revolution depended on this last thought - I had seen, heard, eaten, and loved.

    Music, Beethoven, Mozart, Chopin, etc.As for food, vegetables and beans are the most delicious. Where is the bird's nest?  As for love, from birth to death, from death to life, decades of vigorous romance, I am here and can give an account to God.  During the Cultural Revolution, they wanted to shoot me, but I was not afraid and I had no regrets.

    Loved them all.  But something still needs to be done.  I have been deeply educated by art, and I have nothing to repay to art.  If you don¡¯t use all these cultivations, I¡¯m sorry for art.  When a young man expresses his ambitions, he knows how to hit the mark - it is often easy to hit the mark when it comes to bad things, but not when it comes to good things.

    is cute.  Life is fun.  Art requires sacrifice.

    Let me first quote Lao Tzu: He who knows others is wise, and he who knows himself is wise.  He who conquers others is powerful, and he who conquers himself is strong.  Those who are content are rich, those who are strong are ambitious.  He who does not lose his place will live long, and he who dies but does not die will live long.

    Philosophers and scholars throughout history have not understood people.  I don¡¯t even understand Lao Tzu.  Montaigne, does not understand people.  Max, ignorant of people.

    The outline of my poem: be vulgar as soon as it is spoken.

    Don¡¯t talk about being lofty and great.  cute.  Don't give up after class - people learn - at least read a book every day.  I read while cooking, eating, and taking a shower.  Tang Xianzu also had books hanging in the chicken shed and cowshed. He would write down a sentence when he came up with it.

    ¡°Don¡¯t make a fuss about anything and don¡¯t push it to extremes.

    Reading is a matter of choice at first, but later, it is beneficial to open the book.  At the beginning, it is often too ambitious.  Huang Qiuhong called and said that he was watching Zhuang Lao and "Wen Xin Diao Long".  I was horrified when I heard this: a child, who had not yet grown teeth, was biting walnuts.  When you start reading, make it shallow¡ª¡ªso shallow that you can be condescending at the beginning.

    Once you listen to Brahms¡¯ Symphony No. 1, you will drown.  At first I listened to "Ave Maria" and "Military March", which were very good.  I listened to these when I was a child, and later I went to Hangzhou to listen to Beethoven's "Moonlight Sonata", but I didn't understand it at all.

    In ancient times, people didn¡¯t know what they were doing. In modern times, all human mistakes are made knowingly.

    The wisdom of modern people is that they are not in a state of confusion for a while, but they have the courage to commit crimes despite the death of millions of people.

    Among modern people, I am afraid that only idiots and psychopaths can be simple and kind.  Most normal people are eccentric and self-defeating.

    This is modern man.  We are born in modern times, and it is very difficult to return to our true nature.

    ??????????????????????????????????????????????????????????????Have been watching many people fall. They are just unwilling to sacrifice worldly vanity and practicality in life.

    ??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????mb¨¦mbances are too precise: both elegant and vulgar, art and life have a double harvest.  I cheered, but what I shouted was boos.  Life is never this cheap.

    When I was young in Shanghai, I made a new friend with good looks and intelligence.  One day he mentioned that people in Shanghai are boring, and the slightest thing would attract a crowd of passers-by to watch.  Just as I was talking, a dozen people gathered on the opposite side of the road to discuss something. My friend hurried over to see what was going on. I was waiting on the side of the road in the cold. It was really lonely, and I was too embarrassed to just leave. After waiting for a long time, he  Then he returned home exhausted.

    We have shared psychological needs.  After you finish painting a painting that you are proud of, your first thought is to show it to someone.  People must be like this.

    Power and wealth can only be shown off, not shared. Once shared, they become antagonistic. Half of the wealth and power are given to you.  ** is a matter between two people, there can be no third party.  In comparison, art can be shared.  Beautiful natures and superb talents can be used in politics, business, or love, but they will all fail, miscalculate, and become outdated¡ªart is best.  "
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