Add Bookmark | Recommend this book | Back to the book page | My bookshelf | Mobile Reading

Free Web Novel,Novel online - All in oicq.net -> Romance -> Huayu 1997

Text 503 "Ten Years in the World" is also Cao Xuan's Ten Years in the World

Previous page        Return to Catalog        Next page

    In the eyes of many people in the original time and space, the Chinese music scene in 2007 was the last twilight of the golden age.

    But regardless of the eyes of God, it is actually a scene of vitality and all things competing at the moment.

    Especially now that there is Cao Xuan in the music scene.

    In recent years, the Chinese music scene in China has been said to have a golden age, but when exactly this golden age began has always been controversial.

    Some people think that since it is the golden age, it is natural to include everything, including the Four Heavenly Kings, Tan Zhang Zhenghegemony, and the gang of big names in Taiwan.

    Some people think that this calculation is too nonsense, and to go further, just count Zhou Xuan, Yao Li, and Li Xianglan of the Republic of China.

    Some people think that it should be divided by region. In recent years, the mainland market is the main market, so the golden age must follow the route of the rise of the popular market in the mainland.

    In 1994, popular music in the mainland began to rise, and the golden age of Chinese music should start here.

    But many people disagree with this statement.

    1994 was the rise of the mainland pop music scene, but not the rise of the market. In the early years, the tapes of Teresa Teng and the Four Heavenly Kings were still selling everywhere.

    During this period, the mainland market seemed to be prosperous, but there were many pirated copies. On the contrary, the record markets in Taiwan and Hong Kong were relatively more mature.

    At the same time, mainland singers in this period were basically suppressed by Hong Kong and Taiwan. Only a few of them were famous, but they could not be sold in Hong Kong and Taiwan.

    Therefore, many people have come to the conclusion that if calculated according to the market and influence, it should be the beginning of the golden age after Cao Xuan made his debut in 1997 and counterattacked Hong Kong and Taiwan with his own strength.

    However, this statement has not convinced everyone.

    Some people insist that the golden age of the Chinese music scene should not only refer to the market and influence, but the quality of the works is the top priority.

    ? In 1997, Cao Xuan was born, and the music scene was suppressed for several years. During this period, there were many good songs and works, but it was far from the point where a hundred flowers bloomed.

    However, after the new century, a large number of singer-songwriters have emerged one after another, such as Jay Chou, Tao Zhe, Mou Wang, Lin Junjie, Mayday's Ashin, and in the mainland, there are also Pu Shu, Xu Wei, Wang Toutiao, Shuimunianhua, Daolang and so on.

    Countless original high-quality goods have appeared, and there are many excellent works in the Chinese music scene. This kind of rich and colorful Chinese music scene should be called the golden age.

    After several times of struggle, it is difficult for everyone to reach a consensus, but no matter what, Cao Xuan must be the core of the core of this era.

    Some radical fans and music critics even shouted that as long as Cao Xuan is still in the music scene, the golden age of the Chinese music scene will not end.

    This statement must have been exaggerated, even if Cao Xuan likes to pretend to be coercive, he never dared to admit this statement.

    After all, no matter how good a singer is, it is impossible to support the golden age of the entire Chinese music scene, at most it is half of the country.

    Cao Banbi:

    Nowadays, the golden age of the Chinese music scene is still flourishing in everyone's eyes.

    ? Cao Tianwang seeks defeat alone and sits firmly on the leader.

    Xiao Zhou's strength is outstanding. As long as the new album does not meet Cao Xuan, it will basically dominate the charts. He is the most powerful singer under Cao Xuan.

    ? A certain Wang is making steady progress. Although his albums in the past two years have not been particularly strong, they still retain their position as the top three most popular male singers in the music scene.

    Several other popular male singers have achieved their own achievements. Among them, Lin Junjie has been the most prominent in the past two years. Last year's "Cao Cao" and "A Thousand Years Later" were all annual hits, and they also landed in the 2006 Spring Festival Gala.  a batch.

    Not to mention the female singers, the big four and the three juniors in Taiwan province went crazy inwards for a few days, and the battle for the queen of Taiwan's golden songs was even more intense than the male singers.

    A series of music groups such as Feier Orchestra, Mayday, s h e, Fahrenheit, etc. also have their own development, and their individual momentum is not inferior to the popular singers.

    ? False half of the Chinese music world - Cao Xuan

    ?The real half of the Chinese music scene¡ªTaiwan music scene

    Even in terms of market and influence alone, the Taiwanese music scene is not only half of the current Chinese music scene, it is not too much to say that it has won 70% of the country.

    ?The remaining 30%, except for Cao Xuan, if others want to eat it, it depends on their face

    Of course, this statement was applicable three years ago, but the situation today is somewhat different.

    In 2004, a number of music talent shows such as "Rising Star", "Super Girl" and "My Style My Show" were launched in the mainland, and a large number of talent talent shows were trained.

    The most important thing is that many singers here are signed under the banner of Fanxing.

    "Tailor Master" is tall and tough, but he can't stand up to the mainland.??Singing in the World Cup finals, impacting Europe and the United States.

    In 2003, won the Grammy for the first time, ranked No. 1 in Asia, and all the heroes of the Chinese music scene bowed their heads.

    In 2004, Billboard won the championship and became popular all over the world.

    ? In 2005, the transformation of the film industry continued, and "Ordinary Road" crushed Xiao Zhou.

    In 2006, "Legend" became a god and became the world's top heavenly king.

    ? In 2007, numerous awards were awarded, a global tour, and a new Chinese album came back, ten years in the world.

    "It's too late to tell, the story is so ups and downs

    There are the strangest peaks

    ? I am insane

    ? The clear brilliance of the sea and the full moon fill the cup of light

    There is the most lonely snow mountain

    I have listened to you and me chant

    The world is envious of the bridge section, but it is ordinary

    "

    Under the passionate drama, Cao Xuan stood in the concerts of Gongti, Shanghai 80,000 Stadium, Xiangjiang Red Pavilion, Tokyo Dome, Seoul World Stadium, Harbin City, Quancheng, Rongcheng, Taiwan Province, Qatar, Dubai, and Singapore  superior.

    Cao Xuan waved his right hand lightly, and countless fans waved and sang along with his singing with tears in their eyes, the sky was full of stars reflected in the stars.

    The scenes of the concert stage flashed back one by one, and in the end it was the most grand Tiantan concert in Cao Xuan's personal career. Cao Xuan sang with the piano, and 100,000 people sang in unison.

    The breeze blew up, and the camera returned to the yellowed and old photo ten years ago. The screen turned again, and under the shadow, Cao Xuan was sitting alone on a high stool, smiling and looking at the camera, gently playing  Sing the last two lines.

    "There is the thinnest handwriting

    All have turned yellow with memory

    And I pave the way for the next chapter

    "

    The song ends, the sound falls!

    A line appears on the screen,

    The shadow behind the subtitles stood up, bowed slightly, the screen went black, and the mv was completely over.

    And the impact of this song is extremely huge. "Ten Years of the World" is not only sung to Cao Xuan himself, but also to these fans who have accompanied him for so many years.

    This is not only Cao Xuan's autobiographical song, but also a song to pay tribute to fans.

    Perhaps from now on, let Cao Xuan fans individually choose a favorite song. Individuals have their own ideas, and it is difficult to reach a consensus, but if they are asked to collectively choose a song, "Ten Years of the World" will be the best representative  .

    Some music critics commented that Cao Xuan's "Human World" sang the feelings of his 30s.

    "Passing Through the World", feeling "Ten Miles of Spring Breeze", seeing "Blooming Flowers All the Way", after "Ten Years in the World", the youth has passed away, and I am already an "old boy"

    The album "Human World" may not be as popular and sold as before, but its reputation and depth, but many people think it is Cao Xuan's top three or even the best album. Mtime.com's peak score was 9.8 points, and then slowly  fall back.

    Cao Lang is old, but he has not "exhausted his talents". On the contrary, his songs have more flavor!

    Although Cao Xuan sang "Rewards for Elegance and Vulgarity" and despised the dispute between elegance and vulgarity, this piece of "Human World" won him many literary fans.
Didn't finish reading? Add this book to your favoritesI'm a member and bookmarked this chapterCopy the address of this book and recommend it to your friends for pointsChapter error? Click here to report