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Text Chapter 91 Tangled

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    Zhou Xia knew very well in his heart that at his current level, without an archaeological appraisal system, he would definitely be dead if he dared to go hunting for treasures in the calligraphy and painting market.  Just the appraisal of Wu Changshuo's works can torture him to death.

    "You still have to rely on the system to make appraisals. He slowly learns along with it and understands it carefully. That is the right way."

    At the same time, he was also curious, is Xu Yaohui an ignorant person and fearless, or does he really believe in him?  For laymen like them, the water here is too deep.

    While he was thinking about it, the system had already made an identification, "This item was created in 1919 AD."

    Is this peony painting really an authentic work by Wu Changshuo?

    Zhou Xia rubbed her eyes and couldn't believe it. The chances of this being genuine were too high!  Previously, at Lao Wang's house, he was overjoyed to have an authentic piece of Pan Tianshou's "Blue Stone Picture", like pie in the sky.  Now, Li Weiguo has another authentic painting by Wu Changshuo?  These profiteers took the wrong medicine today and collectively turned into living Lei Feng?

    Zhou Xia felt that things were definitely not that simple.

    He naturally had reasons to doubt, because even if this painting was really made in 1919 AD, which is consistent with the time mentioned on the picture, it does not necessarily mean that it was really the handiwork of Wu Changshuo himself.

    There have been many imitations of Wu Changshuo's works while he was still alive.  In addition to Wu Changshuo himself being too busy with social activities, he authorized his students' relatives to ghostwrite.  Others often took fake works to his house while he was taking a nap, and asked his housekeeper to stamp them with Wu Changshuo's usual seal.

    It must be accurately identified.  You need to be very familiar with Wu Changshuo's style in each period.  At the very least, like now, we have to deal with Wu Changshuo in 1919, when he was 75 years old.  The painting, especially the inscription style, is sinful with a deep understanding.

    Since Zhou Xia did not specialize in studying French works before, even if he crammed in some knowledge temporarily, it was still far from enough.  If he could understand the styles of all famous masters in a short period of time, he would not be a human being, but a god.

    When the book is used, it will be less regretful!  Zhou Xia suddenly felt helpless in her heart.  Damn it, such an identification is too difficult, is it possible?

    But things are coming to an end.  No matter how difficult it was, he had no choice but to bite the bullet.

    Zhou Xia will not complain that the identification results given by the system are too simple. Anyone who is engaged in this industry will probably laugh out loud if he can systematically make a preparatory age judgment.  Nothing to be dissatisfied with.

    This moment is also the time to truly test him.

    Zhou Xia tried to reason and analyze logically, and then combined the situation of the painting to identify it as an authentic work by Wu Changshuo.  It was ghostwritten by someone else, or simply a copy by someone from the same generation.

    ? ?Fortunately.  Zhou Xia still remembers appraising Wu Changshuo's works.  The most important thing is to look at his calligraphy inscriptions.

    Wu Changshuo has been immersed in calligraphy all his life. He has been writing calligraphy every day for decades. Even after decades of effort, it is not easy to imitate his calligraphy.

    And in 1919, Wu Changshuo had reached the state of perfection regardless of law.  It is inevitable to be skillful in writing, turn naturally, and swallow the momentum of ancient and modern times.

    Zhou Xia estimated that Wu Changshuo was already very old at that time and might not have the energy to paint such paintings by himself. Such paintings of rich peonies were obviously for entertainment purposes and should be left to his disciples to paint.  .

    ????????????????????????????????????????????????????????????????????????????????????????OUT off Zhou  The pen is deliberately used to show prudentness, resulting in excessive use of ink, which is too much and not enough, which makes it appear "sluggish". The degree of this is also the most difficult for imitators to grasp.

    As for the seal, Zhou Xia couldn't find anything wrong with it.  This is also easy to explain. It is most likely that the housekeeper of the Wu family took the money and printed it privately.  What's more, at that time, when Wu Changshuo had others bring imitation works to him for appraisal, he also gave them inscriptions.

    ¡°Anyway, this is Zhou Xia¡¯s final identification result.

    It¡¯s better not to stain this painting. Even if it is approved by Wu Changshuo, it can only be regarded as a defective product.  It is definitely not appropriate to spend a lot of money to buy it and throw it into your own hands. It is better to stay away from it.

    After coming to this conclusion, Zhou Xia felt like he was sweating all over.

    With the archaeological identification system, it was so difficult for him to make an identification.

    ??We can understand those who have been collecting for a lifetime, spent all their wealth, and ended up not having even one genuine item.

    Zhou Xia felt a little relieved. At this time, he also discovered that he took the gains and losses of identifying authenticity too seriously. Logically speaking, he should be like Su Xiaoru now.It is the pure attitude of learning.  Seeing that she is always cheerful, I feel that it is rewarding to learn more.

    At this time, she was looking at another work by Lu Yanshao.

    Lu Yanshao is a rare master of landscape painting in the contemporary Chinese painting world. He has profound foundation, profound knowledge and extraordinary creativity. He created a unique artistic style of contemporary landscape painting and reached another pinnacle of landscape painting art.  His landscape painting creations have great influence internationally, and together with Li Keran, he is known as "Li from the North and Lu from the South".

    Lu Yanshao¡¯s works are also very popular at auctions. Although the highest transaction price is over 100 million like Li Keran¡¯s works, the highest price is more than 60 million. The average price of the works is also quite high.  In the Donghai market, it is especially welcomed and popular by everyone.

    Of course, with such a vast market, there will naturally be no shortage of fakes. It is impossible to count the number of private transactions. At the auction alone, more than 16,000 works signed by Lu Yanshao were auctioned.  Anyone with a discerning eye can tell how much water there is in it.

    But everyone has this illusion in their heart. They feel that they have good eyesight. No matter how many fakes there are, as long as the ones they take and collect are genuine.

    The current work of Lu Yanshao can be seen from the title that Lu Yanshao painted it on the West Lake in March 1980.

    For the works of 1980, Zhou Xia first identified whether the paper and ink were up to date, whether there were any traces of work, whether they were printed copies, etc. This is the most basic thing.

    Su Xiaoru next to her is almost used to it.

    After completing these basic tasks, Zhou Xia appraised the painting from an artistic perspective.

    Originally, the appraisal of works was not like what they do now, by taking a few glances with a magnifying glass and then relying on subjective feelings to draw a conclusion.  It requires careful and detailed argumentation, multi-party review of information, and especially careful comparative analysis to draw the final conclusion.  The works that need to be authenticated must have the same style as the recognized authenticity, that is, the work that everyone calls the "standard".

    But now, they are out to buy things, so it is impossible to study them carefully for three to five days.

    Because they didn¡¯t know what kind of work they would encounter, several people¡¯s preparations were quite inadequate.  Like now, several people are a little confused. Although Lu Yanshao is very famous and very popular in the East China Sea, Xu Yaohui and others have not studied his works particularly carefully before. When they meet at this time, naturally  Somewhat blind.

    Su Xiaoru has a deeper understanding of this feeling of a blind man touching an elephant, but she is not in a hurry, because she just learns and gains experience, and she does not expect to eat a big fat man in one bite and become a senior appraiser like Zhou Xia immediately.  After doing appraisals with Zhou Xia and the others, Su Xiaoru could deeply understand the tremendous pressure that Zhou Xia, a senior appraiser with an annual salary of one million, was under.

    Xu Yaohui, on the other hand, wanted to back down. Li Weiguo was carefully appreciating the "Blue Stone Picture", and they could discuss some things quietly.  After Xu Yaohui carefully looked at the two paintings, he also whispered to Zhou Xia, "This is really a layman's view of the excitement, an expert's view of the door. I still can't see much reason, especially this one by Lu Yanshao."  "Picture of Clouds Dwelling in Ten Thousand Valleys", it feels so real. Zhou Xia, tell me, did I choose the wrong direction? I should just play with porcelain and jade."

    Zhou Xia said with a smile, "Uncle Xu is too unfounded, just think that we are here to learn. All learning is a step-by-step process. If we are not sure, we just don't buy it. Lu Yan has a lot less  The works are all collected in Hong Kong and Taiwan, and there are actually not many in mainland China. If this work is returned from Hong Kong and Taiwan, it cannot be judged as authentic. After all, we are not familiar with it, and it is equally possible that it is a fake.  It¡¯s quite big, and there are many experts there, so it¡¯s most common to deliberately send imitations to the mainland.¡±

    "Then senior brother doesn't like this painting!" Su Xiaoru asked.

    "Yes, I always feel that there are some subtle differences between this painting and Lu Yanshao's style. It is not grand enough. Lu Yanshao is a top master in landscape painting. He created his own school in the 1980s.  , it can be said that it was the moment when he reached his peak. No matter whether it was his demeanor or the writing, he did not appear to be very formal. Although I have not seen the original work, I feel that there is still a gap between it and his style. The counterfeiters are also taking advantage of this.  We are not familiar with paintings, so we are making a fuss about it. They actually have the real thing in their hands, but as long as they don't release the real thing, such high imitation works can be hidden from most people even if they have some minor flaws.  , whether it is sold at auction or circulated privately, it can make them a lot of money." Zhou Xia could only answer this. In fact, he used the system to conduct an appraisal and learned that this painting was dated in 2000 AD.  when creating, not painting?Written in 1980 AD.  Relatively speaking, it is much easier to identify this painting using a system. Because the time is not correct, it is definitely a fake.

    "Uncle Xu, are there really many imitations circulating in Hong Kong and Taiwan back to the mainland?" Su Xiaoru is a studious child, so she just asks if she doesn't understand.

    Xu Yaohui nodded and said, "There are too many, not only those from Hong Kong and Taiwan, but also many collections that are said to be returned from overseas. In fact, they were taken out of the mainland and then brought back. Then we don't need to consider this painting, and the other one by Wu Changshuo  , it looks real to me, what do you think?"  .  )

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