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Volume 3: With a blow of destiny, the king appears Chapter 49: The immovable person of Henggu moves, Luo Guanzhong

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    Powerful light waves circled around, impacting the space of the most powerful magical floating pot in history. Even though there were the God of War - Feng Lingtianxia, ??the Sword Demon Dugu Qiubai - Ergen, the Sword Saint - Yueguan, and the powerful person of Chaos Hongmeng - Yuexia.  Gu Hongyan, the Lord of Meteors, with the blessing inside him, was still unable to move forward, and could only resist the shock waves of light waves.

    Wang Feng, the owner of the Floating Pot Space, saw that he had made no progress, and his mind dispersed. Meiyi, who was seriously injured in the world of thought, and Mu Long, who was healing her injuries, received Wang Feng's request.

    The devil in the world of music and the wandering God of Freedom and the Destroyer of Things, the Emperor of Music in the fantasy world of music, the God of War in Xiao Luo's world - Xi Zhimo, the God of Madness - Kuang Yue and the God of Ya - Ye Li  Couple, the God of Eternity - the eternity promised by the gods, the God of Treasure - Mr. Jin, the God of Wisdom - kindness and beautiful water, the beautiful fairy - love is like water;

    Hua Wu, Xin Wu, Yi Wu, Yin Wu, Jing Wu, the founder of the Five Great Five Martial Arts - Fairy Han Shuting, the Sword God - Lan Xue, Zen Buddhism - Fenchen Layman, Tianwai Tian - Gusu Three Saints, the Douluo Arena  Lord©¤©¤Three Young Masters of Fantasy;

    And the second princess Liuguang Wanhuan, Long Yinghuan, Hu Damao, Zhang Fanhu, Yu Xiyan, the goddess of Qinglong Palace - Xia Xuan, the moon spirit - Qingxiao Qingsha and others who were in the floating pot space from the beginning.

    It wasn¡¯t until another male transcendental master appeared that the floating pot space passed through the world of light waves in one breath.  Everyone knows that in the future they will face a great destruction that is thousands of times more dangerous than the war between the gods.

    At this time, the Pantheon, unknown to everyone, is beginning to shrink. No one knows the origin of the Pantheon and how big it is. Who is dominating the Pantheon?  The most mysterious Pantheon has remained motionless for eternity.

    One of the Demon Guardians - Luo Guanzhong

    Luo Guanzhong (1330-1400), named Guanzhong, was born in Taiyuan, Shanxi.  Huhai Sanren was a popular novelist in the late Yuan Dynasty and early Ming Dynasty.  The author of "The Romance of the Three Kingdoms", one of the four famous works in ancient China.

    His birthplace is said to be Taiyuan (now Taiyuan, Shanxi), Dongyuan (now Dongping, Shandong), and Qiantang (now Hangzhou, Zhejiang), but it cannot be confirmed.

    However, in recent years, due to the discovery of Luo Guanzhong¡¯s family tree and a personal seal in Hewan Village, Qixian County, Shanxi Province, it can be determined that his place of origin is Qixian County, Taiyuan Prefecture.

    It is generally believed that "Water Margin" was also edited and revised with the help of Luo Guanzhong.  Another theory is that he wrote the second half of "Water Margin".  The second half of "Water Margin".  In the 100-chapter edition, there are thirty chapters, including the campaign to conquer Liao and Fangla. In the 120-chapter edition, it also includes the campaign to conquer Tianhu and the campaign against Wangqing.

    The second half of "Water Margin" is sometimes called "Conquering the Four Bandits", which is more consistent with Luo Guanzhong's thoughts on loyalty to the emperor.

    "Three Kingdoms".  The full name is "The Popular Romance of the Three Kingdoms", a long historical chapter novel in ancient China.  The author is generally considered to be Luo Guanzhong who lived in the late Yuan Dynasty and early Ming Dynasty. It is the only novel based on historical facts among the four famous works.

    The romance is based on history and Confucianism, emphasizing loyalty; it focuses on describing wars, telling the history of more than a hundred years from the Yellow Turban Rebellion at the end of the Han Dynasty to the establishment of the Wei, Shu Han and Wu Kingdoms, and the unification of the Western Jin Dynasty.  Many heroic characters are portrayed.

    The narrative of this book is based on official history, and is based on novels and testimonies.

    Combination of virtual and real.  The song is as wonderful as it gets.  Li Yu, a scholar and dramatist in the late Ming Dynasty and early Qing Dynasty, once said: "The Romance is a book that is so amazing that it can be read quickly by bachelors, and also by people who don't learn in the streets; heroes can read it quickly, and ordinary people can read it quickly."  Also fast.  The story of the Three Kingdoms has been popular among Chinese people for a long time.

    "Da Ye Shi Yi Ji" of the Sui Dynasty records that Emperor Yang of the Sui Dynasty watched Cao Cao's miscellaneous performance of attacking dragons in Qiao River.  In the early Tang Dynasty, Liu Zhiji's "Shi Tong" tells the story of the death of Zhuge and the resurrection of Zhongda.

    It was put on the stage in the Song and Yuan Dynasties.  Meng Yuanlao's "Tokyo Menghua Lu" records Huo Siju's three-point story.  There are more than 30 kinds of Three Kingdoms plays performed in Jin and Yuan Dynasties.  During the Zhizhi period of Emperor Yingzong of the Yuan Dynasty, "Quanxiang Three Kingdoms Chronicles" published by the Yu family of Xin'an appeared.  At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, Luo Guanzhong synthesized folk legends, operas and dialects, combined with historical materials from Chen Shou's "Three Kingdoms" and Pei Songzhi's notes, and based on his understanding of social life, he created "The Popular Romance of the Three Kingdoms".

    The main editions of Romance of the Three Kingdoms are:

    1. "Popular Romance of the Three Kingdoms" by Jiajing of the Ming Dynasty

    2. The Chronicles of the Ming Dynasty "The Newly Engraved Full Portrait of the Prisoner Criticizing the Chronicles of the Three Kingdoms"

    3. Li Zhuowu's Commentary on "Mr. Li Zhuowu's Criticism of the Three Kingdoms" in the Ming Dynasty

    4. Li Liweng's Commentary on "Li Liweng's Review of the Chronicles of the Three Kingdoms" in the Qing Dynasty

    5. Mao Zonggang of the Qing Dynasty reviewed and revised "The First Type of Four Wonderful Books"

    The earliest extant edition was published in the Jiajing year of the Ming Dynasty, commonly known as Jiajing, and has 24 volumes.  There is also "The Popular Romance of the Three Kingdoms" carved by Hongzhi, which has simple characters and relatively simple content.

    During the Kangxi period of the Qing Dynasty, Mao Lun and Mao Zonggang and their sons revised the historical events, added and deleted characters, and revised it into the 120 chapters of "The Romance of the Three Kingdoms" that are commonly used today, commonly known as Mao.

     The more famous collation notes in modern times include Wu Xiaolin's "College Notes on the Romance of the Three Kingdoms" and Shen Bojun's "College Notes on the Romance of the Three Kingdoms".  Among them, Shen Bojun's "The Romance of the Three Kingdoms" has corrected a large number of technical errors in the original text, as many as 700 to 800 times. It has been highly praised by academic colleagues at home and abroad and welcomed by readers. Some people commented that it is the best so far.  The "Romance of the Three Kingdoms" version is called Shen's "Romance of the Three Kingdoms", but it has also been criticized for errors.

    It is generally believed that the author of "The Romance of the Three Kingdoms" is Luo Guanzhong. There are also some opinions that "The Romance of the Three Kingdoms" was co-authored by Luo Guanzhong and his teacher Shi Naian, but there is no clear research to prove it.

    "The Romance of the Three Kingdoms" describes nearly a hundred years of history from the end of the Eastern Han Dynasty to the early years of the Western Jin Dynasty, reflecting the political and military struggles of the Three Kingdoms era as well as the penetration and transformation of various social contradictions.

    Regarding the attitude towards the Three Kingdoms, respecting Liu and opposing Cao and despising Wu is the main tendency among the people. Taking Liu Bei's group as the center of the description implies the people's hope for the revival of the Han Dynasty and the orthodox thoughts of the royal family. Although these old views are no longer relevant today  .

    When Mao and his son of the Qing Dynasty revised the Romance of the Three Kingdoms, they deleted and corrected the untrue and ridiculing and strange powers in the version handed down from the Ming Dynasty.

    Lu Xun said in "The Historical Changes of Chinese Novels": Because the affairs of the Three Kingdoms were not as complicated as the Five Dynasties; nor were they as simple as Chu and Han; they were neither simple nor complex, so they were suitable for writing novels.  Moreover, the heroes of the Three Kingdoms period were very touching because of their wisdom, skill, and bravery, so people like to use them as the basis for novels.

    "The book also depicts nearly two hundred characters, among which the most successful ones are Zhuge Liang, Cao Cao, Guan Yu, Liu Bei and others.  Zhuge Liang is the incarnation of a virtuous minister in the author's mind. He has the integrity to work hard and die, and has the ambition to manage the world and benefit the people to create a peaceful and prosperous age. The author also gives him the unique ability to control the wind and rain and make miraculous calculations.

    Cao Cao is portrayed as a traitor who would rather teach me to betray the world than to teach the world to betray me. He is both talented and strategic, cruel and treacherous. He is a political careerist and conspirator.  Guan Yu is mighty and resolute, and his righteousness is as heavy as a mountain, but it is mainly based on personal grievances.  Liu Bei was portrayed as a model of a benevolent king who was kind to the people and loved things, courteous to the virtuous and corporal, and knew people well.

    And the wars in it have various techniques, and readers often feel the war scenes of swords, light, blood and shadow.  Among them, the descriptions of wars such as the Battle of Guandu and the Battle of Chibi are considered to be ups and downs, ups and downs, making people thrilling to read, and the plots that are not found in history books are described in great detail.

    However, the first 33 chapters cover the 24 years from the sworn alliance in Taoyuan to the unification of the north by Cao Cao, and the 71 and a half chapters cover the 27 years from Liu Bei's three visits to the thatched cottage to Zhuge Liang's death in Wuzhangyuan. The next 46 years only took 15 and a half chapters to end hastily.

    Because "The Romance of the Three Kingdoms" is unique among ancient Chinese historical novels in terms of its spread and influence among the people, this has caused ordinary people, and even some experts and scholars, to have a negative opinion of the period from the end of the Eastern Han Dynasty to the Three Kingdoms period, which is the history described in the novel.  The general situation, events, and characters of the period lack correct common sense. To a certain extent, the content of the novel "Romance of the Three Kingdoms" has occupied the status of real history in the minds of the Chinese people. This phenomenon has been reflected in recent movies and academic works.  react.  There has been a lot of controversy among the public about this phenomenon.
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