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Volume 3: With a blow of destiny, the king appears. Chapter 76: Chinese Writers of the Northern Song Dynasty

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    One of the rebels of the Demon Knight, Su Shi - Su Shi is one of the staunch guardians of the Demon Knight. When the peerless King Xiaoyao traveled around the world, Su Shi admired his arrogance and aura of caressing all things)

    Su Shi (1037-1101), also known as Zizhan and Hezhong, also known as Dongpo Jushi, was a native of Meishan, Meizhou (now Meishan City, Sichuan), and a great figure in the Northern Song Dynasty of China.

    His poems, lyrics, fuses and prose are all of high achievement, and he is good at calligraphy and painting. He is a rare all-rounder in the history of Chinese art and is recognized as one of the most outstanding people in the history of Chinese art over thousands of years.

    His poetry and Ouyang Xiu are also called Ou Su; his poetry is called Su Huang together with Huang Tingjian, and Su Lu with Lu You; his poetry and Xin Qiji are called Su Xin; his calligraphy is listed among the four major calligraphers of the Northern Song Dynasty: Su, Huang, Mi and Cai.  One of the homes.

    His paintings created the Huzhou School of Painting.  Because he wrote more poems than writings, his propositions often appeared in scientific examinations in the Song Dynasty.  Therefore, scholars at that time said: Su cooked, eat mutton, Su raw, eat vegetable soup.

    He created the bold and unrestrained style of poetry and changed the style of poetry since the late Tang Dynasty and the Five Dynasties.

    Su Shi is also very famous in ancient times. He is known as Han Chao Su Hai and is as famous as the ancient master Han Yu.  Together with his father Su Xun and his younger brother Su Zhe, they are collectively known as Sansu. The three fathers and sons are among the eight great masters of the Tang and Song Dynasties.

    He is the author of "The Complete Works of Dongpo" and "Dongpo Yuefu", which are handed down to the world.

    Its name "Shi" originally means the handrail in front of the car, which means it is unknown but indispensable in helping people in distress.  Su Shi had an open-minded nature, loved making friends, and loved good food. He created many fine food products, loved drinking tea, and was also elegant and loved traveling in the mountains and forests. Huang Ting insisted that he was truly a fairy.

    He was demoted to Huangzhou, where he lived in isolation.  Boats and leather shoes, wandering among the mountains and rivers, among fishermen and woodcutters. At that time, Foyin was the abbot of Guizong Temple in Lushan Mountain, and the two had frequent contacts.

    Su Shi's "Playing with the Buddha's Seal" says: Hundreds and thousands of lamps make a single light, all of which are the wonderful Dharma kings of Hengsha. Therefore, Dongpo did not dare to borrow them, so he borrowed them from the four major lamps to make a Zen bed.  He left Huangzhou in the seventh year of Yuanfeng (1084).

    Although politically neutral, there are also demands for reforming bad governance.  If you are dissatisfied with anything, like if there are flies in your food, just spit it out.  He opposed the more radical reform measures of the new party Wang Anshi and did not agree with Sima Guang's complete repeal of the new law. Therefore, he was ostracized by both the old and new parties.  His official career was very bumpy.

    He held honest and upright officials in various places, worked for the benefit of the people and eliminated disadvantages. He had many political achievements and a good reputation. The Su Causeway of West Lake in Hangzhou is evidence of this.

    "The ocean is unbridled and clear, and he once said to himself: The outline is like flowing clouds and flowing water."  At first there is no definite quality, but he does what he should do and always stops at what he must do, even if he laughs and curses.  All can be written and recited.

    His poems are fresh and bold, and he is good at using exaggerated metaphors.  His body is full of radiance, and he has been regarded as majestic for generations.  The cover is also fresh.  At that time, people such as Huang Tingjian, Chao Buzhi, Qin Guan, Zhang Lei and Chen Shidao were unknown in the world.  Shi treated him like a friend, but he did not treat him as a teacher.

    Huangzhou Ci is the wonder of Su Ci; Huangzhou is the peak of Su; "Chibi Fu" is the pinnacle of it.  Huang Tingjian once criticized Su Shi and said: Dongpo is the master of the world. His shortcoming is that he is easy to scold, so be careful not to follow his path.

    Chen Yanxiao said: Poe was generous and evil, which is often seen in poetry, and has the satirical style of the ancients.

    Chen Shidao said: Su Shi first learned from Liu Yuxi, so he had many complaints and thorns, so he should not learn it carelessly.

    There are more than 2,700 poems by Su Shi in existence. His poems are broad in content and diverse in style, but are mainly bold and unrestrained.  The poems that have the greatest impact on future generations are also poems that express feelings about life and sing about natural scenery, which show the characteristics of Song poetry that emphasizes theory and interest and is open to discussion.  "Drinking on the Lake at First Sunny and Later Rain": The clear water is beautiful when the water is shining, but the mountains are also strange when they are empty and covered with rain.  If you want to compare the West Lake to the West, it is always better to put on light makeup and heavy makeup.

    In March of the late spring of the fourth year of Yuanfeng, Dongpo wrote "Poetry on Cold Food in Huangzhou".  This post is composed of two ancient five-character poems. The poems are melancholy and vigorous, with deep sighs and are very contagious.  His calligraphy is powerful and majestic, and has a great influence on the history of calligraphy. Later generations were praised as the third running script in the world after "Lanting Preface" and "Nephew Memorial Manuscript".

    Huang Tingjian wrote a postscript after this post: Dongpo's poem is similar to that of Li Taibai, but he is afraid that Taibai may have gone anywhere.  This book combines the writing styles of Yan Lugong, Yang Shaoshi, and Li Xitai. Trying to make Dongpo reproduce it may not be as good as this.  If he sees this book in Japan, he will laugh at me for calling me a Buddha in a place where there is no Buddha.

    Zhu Bian's "Old News of Quwei": After Dongpo Zhang arrived in Huangzhou, no one could match him, only Huang Luzhi could compete with him when he was writing poems; when he crossed the sea in his later years, Lu Zhi was also beyond compare.

    ??????????????????????????????????????????????????????????????????????????????????: Du Shi is the sage of rhymes, he extends the seven words of poetry;

    There are more than 340 existing poems in the style of poetry, such as "Niannujiao Chibi Nostalgia" and "When Will the Water Melody Song Begin the Bright Moon", which are widely recited.

    Su Shi expanded the content of his poems, and included themes such as lyrical descriptions of scenery, reasoning, nostalgia, and emotions.  Su Shi improved the artistic conception of his poems, expanded and opened up the realm of his poems, and improved his style. In addition to his bold and unrestrained poems, he also had works that were clear, elegant, ethereal, meaningful, and even lingering and charming.??

    Su Shi's poetry style is bold and unrestrained (Wu Guowei said that Dongpo's Ci Kuang is broad), which makes the words poetic, powerful in writing, and distinctive in personality, showing the author's broad-minded and hearty personality. He has many emotional words, high spirits, unrestrained emotions, and rich and unique imagination.  .

    In terms of genre and rhythm, Su Shi did not like to tailor his works to suit the rhythm. The study of words was more important than the life of music.  Su's poetry works are often orderly, clarifying the content of the lyrics, or the origin, time, and place of the lyrics, and the facts are clear.

    It is said that when Su Shi was a Hanlin scholar, he once asked a corporal: How is my poetry like Liu Qi (Liu Yong)?  The corporal of the curtain replied: Liu Lang's poem is only suitable for a girl of seventeen or eighteen years old, holding a red tooth plate, singing about the dawn wind and the waning moon on the willow bank.  The bachelor's poems must be written by the great Han Dynasty in Guanxi, with copper pipa and iron chaoban, and they can sing about the great rivers going eastward.

    Su Shi used his pen calmly in his later years. The representative calligraphy in his early period is "Zhi Ping Tie", which has precise brushwork and charming handwriting.  The representative work of middle-aged people is "Huangzhou Cold Food Poems".  These poems are two poems written by Su Shi in the fifth year of Yuanfeng (1082) when he was demoted to Huangzhou due to the Wutai Poetry Case.

    The poems are melancholy and desolate yet broad-minded, and the calligraphy brushes and ink colors also change with the changes in the context of the poems, with ups and downs, extraordinary momentum and completeness in one go, reaching an almost perfect state of heart and hand.

    Therefore, Yu Shu in the Yuan Dynasty called it the third running script in the world after Wang Xizhi's "Lanting Preface" and Yan Zhenqing's "Nephew Sacrifice Manuscript".

    The representative works in his later years include "Ode to Spring in Dongting" and "Ode to Zhongshan Pines" in running script. These two poems are distinguished by their ancient elegance, various gestures and tight structure, which reflect the short and fat characteristics of Su Shi's calligraphy.

    His representative works include "Huangzhou Cold Food Poems", "Dark Clouds in the Sky", "Dongting Spring Ode", "Zhongshan Pine Mash Ode", "Spring Post Poems", "Wine Love Poems", "Cold Food Poems", "Sichuan"  "Poetry", "People Come to Get Letters", "Appreciation to Civil Teachers", "River Shangtie", "Li Baixian Poems", "Ciyun Qin Taixu Poems", "Duhaitie", "Jiudao Juan"  ", "Plum Blossom Poems", "Qian Chibi Fu", "Donwu Tie", "Beiyou Tie", "New Year's Zhanqing Tie", "Baoyue Tie", "Lingzi Tie", "To Nangui Envoy"  "Jun Tie", "Ci Bian Cai Yun Poem", "Yi Ye Tie", "Chen Kui Pavilion Stele", "Child Slips to Chief Ruoxu", "Huai Su's Preface", etc.

    Su Shi¡¯s calligraphy was highly praised by later generations.  The person who has the most say is Huang Tingjian. He said in "Valley Collection" that those who are good at calligraphy should naturally recommend (Su) as the first.

    ????????????????????????????????????????????????????????????????????????????????????????????????????????????? of his classmates, and also likes to draw dead trees and strange rocks.  The surviving paintings include "Scroll of Dead Trees and Strange Rocks" and "Picture of Bamboo and Stone in Xiaoxiang".

    Poems include "Seven Collections of Dongpo", "Collections of Dongpo", "Dongpo Ci", etc.  Existing writings include "Replying to the Civil Teachers", "Sacrifice to Huang Jidao", "Qian Chibi Ode", "Huangzhou Cold Food Poems", "Inscriptions on the West Forest Wall", "Drinking the First Sunny and Later Rain on the Lake", etc.  His paintings include "Withered Trees and Strange Rocks", "Xiaoxiang Bamboo and Rocks", etc.  In addition, the modern "Su Chen Liang Prescription" is based on Shen Kuo's "Liang Prescription" and adds Su Shi's miscellaneous medical treatises.

    The four scholars of the Su family are Huang Tingjian, Qin Guan, Chao Buzhi and Zhang Lei.  The Fourth Bachelor of Su Clan, together with Chen Shidao and Li Lao, are collectively known as the Six Bachelor of Su Clan.
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