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Volume 3: A blow of destiny, the king appears Chapter 101: Hard thinking and hard work

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    However, in March of the same year, he said in "Conversations with Representatives of the Artist Circle": I think Lu Xun would still write miscellaneous works while he was still alive. Real Marxists are not afraid of anything, not of anyone.  He was not afraid that others would not correct him, and at most he would have no food to eat, beg for food, be punished, sit in prison, beheaded, and be wronged. Therefore, Luo Jinnan's answer may just be a compliment to Lu Xun for daring to tell the truth.

    In 1950, a reader asked "People's Daily": If Lu Xun were alive, how would the Party treat him?  Guo Moruo, then director of the State Council's Cultural Affairs Commission, personally replied to Lu Xun's letter, saying that he, like everyone else, should accept ideological reform and allocate appropriate work according to the actual situation of reform.

    Because Lu Xun opposed the bureaucratic corruption of the Kuomintang during his lifetime, he was severely suppressed by the National Government.  After 1949, Lu Xun has been belittled as a negative teaching material of the Kuomintang in Taiwan.

    However, in recent years, Taiwan has also made efforts to promote Lu Xun's works. Taipei Fengyun Times Publishing Company published "The Complete Works of Lu Xun" around 1990. The publication's short introduction said: Since China's new learning, Lu Xun is certainly the writer who has caused the most controversy and shock.  There are no less than a hundred people in the world who have received doctorates for interpreting a certain work of Lu Xun.  Publishing Xiaoyin hopes to restore the true appearance of history and let Lu Xun's works speak for themselves.

    Indeed, the number of positive and negative comments that Lu Xun¡¯s works have aroused is so extreme that it is rare not only in new learning, but also in the history of Chinese studies.

    When Chiang Kai-shek was concurrently serving as Minister of Education, someone reported to Chiang Kai-shek that Lu Xun was hiding in the Ministry of Education as a special editor. Chiang Kai-shek replied: This is a good thing.  Do you know if there are any old colleagues or old friends with him in the Ministry of Education?  Such a person should be sent to find him and tell him.  I found out about this and was very happy.  I have always admired him and wanted to meet him.  As long as he is willing to live in Japan for a while, not only can the wanted order be lifted, but his position will certainly be retained; and if he has other ideas, he can also do it.

    The famous Japanese writer and Nobel Prize winner Kenzaburo Oe commented on Lu Xun: the greatest writer in Asia in the 20th century.

    The famous German sinologist Ku Bin: Lu Xun is a writer that no one can match or surpass in the 20th century (China).

    Famous writer Mu Xin: In my mind, Mr. Lu Xun is an outstanding sportsman.  In Europe, especially in France.  Tijia is the highest honorific title for a scholar.  Gide was a sportsman, Romain Rolland was not.

    Cai Yuanpei: Mr. Lu Xun's creations, except for "Grave", "Scream" and "Weeds", were all completed between 1925 and 1936, except for novels and letters.  They are all miscellaneous works and short reviews, and it took him twelve years to write these many works. His rich thoughts, profound observations, meaningful artistic conception, and correct words are difficult to come by for others who have thought hard and tried hard.  He wrote it very naturally. What a genius!  What academic ability!

    Chen Duxiu: I think the real Lu Xun is not a god or a dog, but a human being.  There are people who are talented in learning.

    Yu Dafu: Who is the greatest since the New Learning Movement in China?  Who best represents this era?  I will answer without hesitation: It is Lu Xun.

    Lu Xun¡¯s novels are a step higher than all the masterpieces in this field that China has produced for thousands of years.  As for his essays.  It also provides a style that has never been seen before by the ancients, and that future generations must never follow.  First of all, it is characterized by profound observation, sharp eloquence, concise writing, and clever metaphors. Also, because of its somewhat humorous atmosphere, it is no wonder that readers will feel a sad and sad flavor, as if they are not afraid of death even if they drink poisonous wine.

    When we are keen to grasp reality, he has grasped the past, present and future.  To fully understand China's national spirit, there is no shortcut except reading "The Complete Works of Lu Xun".

    Ma Yueran, a famous Swedish sinologist and final judge of the Nobel Prize, once clarified the rumor that Lu Xun refused to win the Nobel Prize, saying: Lu Xun died in 1936. At that time, no one outside in the 1930s knew who Lu Xun was, and  Never heard of his name.

    "The Scream" and "Wandering" were only translated into foreign languages ??in the 1950s (these are the original words. After verification, Lu Xun's works were first translated into Western characters in "Living China©¤©¤" published by George C. Harrapp Company in England in August 1936.  "Selected Modern Chinese Short Stories", which includes "Medicine", "A Little Thing", "Kong Yiji", "Blessing" and many other works), was translated by Yang Xianyi, (the real translator is Snow) and the translation is very good  , but Lu Xun was no longer around by that time.

    In 1949, Shandong contemporary poet Zang Kejia wrote a lyric poem titled "Some People" to commemorate the 13th anniversary of Lu Xun's death: "I have feelings in commemoration of Lu Xun - some people are alive, he is dead; some people are dead.  , he is still alive.

    Some people ride on the heads of the people: Oh, how great I am!  , some people stoop down and act like cattle and horses for the people.

    Some people want to be immortal by carving their names into stones; some people would rather be weeds and wait for the fire in the ground to burn.

    Some people can¡¯t live while others live.Some people live to make a better life for the majority of people.

    "Those who ride on the heads of the people will be beaten down by the people; those who serve as oxen and horses for the people will be remembered by the people forever!"

    Those who carve their names into stones will rot earlier than their corpses; wherever the spring breeze blows, there are green weeds everywhere.

    "He who lives while others cannot live, his fate can be seen; he lives for the majority of people to live a better life, the masses hold him up very high, very high."  ¡ªNovember 1, 1949, at Zang Ke¡¯s home in Beijing.  "

    Famous scholar Hu Shi: Lu Xun was a liberal and would never succumb to external forces. Lu Xun was ours.

    Ye Gongchao wrote "About Lu Xun as a Non-Fighter", which was published in the supplement of Tianjin "Yi Shi Bao" on November 1, 1936. He said: I sometimes read his miscellaneous calligraphy. On the one hand, I feel that his calligraphy is good, and at the same time I feel that he is aiming at it.  (Lu Xun¡¯s favorite use of various military terms) is really not worth a bullet.  Neither those who scolded him nor those whom he scolded were equal to him in any respect.

    Japanese scholar Ozaki Hidemi: the leader of the Left Alliance.  Japanese writer Masayoshi Yamayama called Lu Xun the only representative of the mainstream of Chinese modern studies.  Japanese writer Masuda Wataru praised Lu Xun as the giant sphinx in the Chinese art world.

    There are also many people who think that he is a shallow radical, mainly because they think that he is determined to retaliate and likes to argue.  Su Xuelin was particularly criticized. When Lu Xun died, Su Xuelin wrote a letter to prevent Cai Yuanpei from serving as a member of Lu Xun's funeral committee. He called him a scum who had insulted the scholars and was an evil villain unknown in the twenty-four histories. When he occupied the Shanghai altar, he was surrounded by people.  The minions skillfully set up a trap, the net is as dense as Zhou Lai's prison, and the execution is as cruel as the copying of melons, triggering a pen war with leftist writers.

    "The True Story of Lu Xun" written by scholar Zheng Xuejia has many criticisms of Lu Xun's character.  Tang Shaohua believed that Lu Xun would never be satisfied with any reality, and thus became a real opponent who opposed for the sake of opposition.

    Xue Yong believes that Lu Xun's remarks that the hearts of Chinese people are not worth treating if they are not healed are a declaration that challenges the basic medical ethics of Ming society; he also believes that Lu Xun inherited the moral and intellectual superiority of traditional Confucian social intellectuals over the common people, and did not  The spirit of constitutionalism is full of the spirit of tyranny; in addition, Lu Xun had no direct experience as a farmer, and the formation of the image of Ah Q-like ignorant people in his works was influenced by the Japanese media¡¯s demonization and vilification of Chinese people; Lu Xun said  Cannibalism in China is true knowledge.  It's a pity that he himself was not able to escape from this transformation.

    Qian Xuantong once summed up that he had three shortcomings: suspicion, gullibility, and anger.
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