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- One of the demon warriors' rebels, the floating pot space - Tao Yuanming is one of the guardians of the demon warrior. When the peerless King Xiaoyao traveled around the world, Tao Yuanming appreciated his world-forgetting state and his formless and unborn Xiaoyao.)
Tao Yuanming (365-427), named Qian or Yuanming. It is said that his name was Yuanming in the Jin Dynasty and his courtesy name was Yuanliang. After entering the Liu Song Dynasty, he changed his name to Qian. People in the Tang Dynasty avoided the taboo of Emperor Gaozu of the Tang Dynasty and called him Tao Shenming or Tao Quanming. He called himself Mr. Wuliu, and his private name was Mr. Jingjie (Tao Zhengshi).
??A native of Chaisang, Xunyang (now southwest of Jiujiang, Jiangxi). Scholar of Jin Dynasty. He is famous for his fresh and natural poetry. Relevant works include "Drinking", "Returning to the Garden and Living in the Fields", "The Story of the Peach Blossom Spring", "The Biography of Mr. Wuliu", "Come Back and Come Back", "Poems of the Peach Blossom Spring", etc.
Tao Yuanming's poems and poems have a unique style and extremely high attainments in art. They integrate pastoral poetry and open up a new realm for classical poetry. The works are plain and natural, based on real feelings, which influenced the creation of poetry in the Tang Dynasty.
Tao Yuanming came from a declining official family, and his great-grandfather Tao Kan came from a humble background. He rose to the rank of Grand Sima, military commander of eight states, and Duke of Changsha. His grandfather Tao Mao served as the prefect of Wuchang, his father Tao Yi served as the prefect of Ancheng and died young, and his mother was the daughter of Meng Jia, a famous scholar in the Eastern Jin Dynasty. He lived in poverty when he was young, but he was diligent in studying and read books from hundreds of schools of thought.
In his early years, Tao Yuanming served as Jiangzhou Jijiu, Zhenjun, Jianwei, and Pengze County magistrate. Later, he refused to give in for five buckets of rice and resigned and returned home. In the second year of Emperor Yixi of Jin'an (406 AD) He lived in seclusion and was not an official.
Until the death of illness in the fourth year of Yuanjia (427), the Song Emperor. The more than 20 years since he returned to the fields have been his most creative period. After Tao Yuanming's death, his good friend Yan Yannian wrote the "Eloquy of Tao Zhengshi" for him.
In present-day Mahuiling Town, Jiujiang County, Jiangxi Province, there is the tomb of Tao Yuanming, which was rebuilt in the Qing Dynasty. There is a new huge stone statue of Tao Yuanming in Jiujiang City.
Tao Yuanming's works that have been handed down to this day include more than 120 poems and more than ten poems, poems and poems. Pastoral life is an important theme of Tao's poems, so people later called him a pastoral poet.
His most famous work is "The Peach Blossom Spring", which describes a Peach Blossom Spring society that he longed for. A harmonious, beautiful, war-free, self-reliant society. Peach Blossom Land and Utopia are both equally famous, both representing a beautiful fantasy.
Because of the political darkness at that time, Tao Yuanming wanted to live in seclusion, escape from the dusty world, and devote himself to pastoral life. His works are famous for satirizing natural scenery, and he pioneered the path of pastoral poetry creation.
Tao Yuanming's poem before Peng Zeling's speech was impassioned. His later works tended to be carefree and comfortable, focusing on seclusion and love for the countryside. Nature, wine and poetry became the sustenance of his soul.
Tao Yuanming¡¯s poems have distinct personalities and sincere emotions. It is plain and simple, does not use allusions, is concise and implicit, quality but solid, rich and plump, full of artistic conception and philosophy, and subjective freehand brushwork. It contains thoughts from various schools of Confucianism, Buddhism and Taoism. In addition to traditional Confucianism, it is also deeply influenced by Taoism.
Tao Yuanming's poems are thick and thick throughout, difficult to extract in sentences, and are not dedicated to hammering the chain. Written innocently and naturally, it is the highest expression of romantic naturalism.
Tao Yuanming's poems show his contempt for the powerful, his independence from the world, and his simple and natural poetic style, which has a great and far-reaching influence on the creation of later generations of poetry.
Later generations spoke highly of Tao's poems. Zhong Rong's "Poems" recommended him as the sect of reclusive poets in ancient and modern times. Tao's poems were even more highly praised after the Tang and Song Dynasties.
Tao Yuanming¡¯s poems had little influence during the Southern and Northern Dynasties.
Liu Xie wrote "Heart Carving a Dragon". Not a word was mentioned about Tao Yuanming. Zhong Rong's "Poetry" lists Tao's poems as middle-grade, calling Tao Yuanming the sect of reclusive poets in ancient and modern times, and believes that his poems originated from Ying Xu.
Xiao Tong, the prince of Zhaoming in Liang Dynasty, highly praised Tao Yuanming: his chapters are unique, his words are brilliant, his ups and downs are obvious, and he is unique among others. Calm and hearty, don't worry about it. "Selection" contains more than ten poems by Tao Yuanming, and he is the author whose works have been collected more.
Tao Yuanming¡¯s pastoral reclusive poems had a great influence on poets of the Tang and Song Dynasties.
Du Fu's poem says: Wine should be the source of peace of mind, and there is no better way to be excited than poetry. This meaning is Tao Qian's interpretation, and I will be with you for the rest of my life.
Su Dongpo, a poet of the Song Dynasty, spoke highly of Tao Qian: Yuanming's poems seemed loose and slow at first, but after reading them, there are strange sentences. If you are generous and have high meaning, you will be able to express it wonderfully, and you will be able to express it with great precision. It's like a great craftsman moving a heavy weight, but there are no traces of the axe. Another saying goes: The quality is solid and plump, and the fat is solid and plump.
Su Dongpo also wrote "He Tao Stops Drinking", "He Tao Drinks Alone in the Rain", "Five Poems with Tao Encouraging Farmers", "He Tao Nine Days' Leisure", "He Tao Nine Imitations of Ancient Poems", and "He Tao's Ten Miscellaneous Poems". "One poem", "He Tao presented a sheep to the chief official", "He Tao stopped the cloud four poems", "He Tao Xing presented a shadow", "He Tao's shadow answered the shape", "He Tao Liu Chaisang", "He Tao rewarded" Liu Chaisang", "He Tao Guo Zhubu" and other 109 articles and Tao poems show the profound influence of Tao Yuanming on Su Dongpo.
Xiao Tong, Prince Zhaoming of Liang Dynasty, searched for Tao Yuanming's posthumous works and compiled one of seven volumes into "The Collection of Tao Yuanming", and wrote a biography and preface to it.
Five character poem: "Returning to the Garden""Residence", "He Guo Zhubu", "Getting Early Rice in the West", "Nostalgic Farm House", "Peach Blossom Spring" and preface (the preface is commonly known as "Peach Blossom Spring"), "Drinking" with twenty poems, "Zhizhi" "Wine", "Responsibility for Sons", "Recounting Wine", "Wax Day", twelve "Miscellaneous Poems", "Ode to the Poor Man", "Ode to Jing Ke", thirteen poems from "Reading the Classic of Mountains and Seas", "Elegy Poems" ¡·Three songs and so on.
???????? Ci Fu: Paintings on the promenade of the Summer Palace: Yuan Ming Aiju¡¯s ¡°Poem on Feelings for Not Encountering Scholars¡± and prefaces, ¡°Ode on Leisure and Love¡±, and ¡°Come Back and Come Back¡± with prefaces.
: "The Biography of Mr. Wuliu", "The Biography of Shi Mengfujun, the General of the Jin Dynasty's Expedition to the West", "Ode to Paintings on Fans", "Nine Chapters of Reading History", "Short Essays with Ziyan", "Sacrifice to the Cheng Family" Sister", "Sacrifice to obey brothers and respect members", "Sacrifice to oneself".
????????????????????????????????? The original title of the ten volumes of the supernatural novel "The Postscript of the Gods", which was written in the Southern Dynasty, was written by Tao Qian. Lu Xun believed that Tao Qian Kuangda might not be able to fight against ghosts and gods, but that he was just pretending. .
The ten volumes of Tao Qian's collection compiled by Yang Xiu of the Northern Qi Dynasty include "Five Filial Biography" and "Four Eight Eyes". Ji Xiaolan's "Summary of Sikuquanshu" points out that "Five Filial Biography" and "Four Eight Eyes" are false trusts.
Note: "The Heart Carving the Dragon" is China's first masterpiece of systematic art theory and a work of theoretical criticism. It was completed during the Southern and Northern Dynasties of China and was written by Liu Xie.
"Heart Carving Dragon" is the most sophisticated critical book in Chinese history. It is large and thoughtful. The whole book has two main points: one is to oppose the impractical trend; the other is to advocate that practical power must be in the military state. Implement the wind. Liu Xie regarded all books as academic books, so the book's arguments are extremely broad.
"Heart Carving a Dragon" was written by Liu Xie in the later period after he entered Dinglin Temple. It was a work when he was over 30 years old. He once helped Seng You organize Buddhist scriptures. Some scholars believe that "Heart Carving a Dragon" was somewhat influenced by Buddhist thought.
Rao Tsung-i said in "The Heart Carving the Dragon and Buddhism": The arrangement of his academic theory is based on the foundation of Buddhism. The term "original key points" used by Seng You is used four times in "Heart Carving Dragon".
Japanese scholar Xing Shanhong cited the similarities between "Heart Carving Dragon" and "The Collection of Tripitaka". In fact, the entire book "Heart Carving Dragon" is greatly influenced by the dualistic philosophy of "Zhouyi".
Liu Xie was dissatisfied with the formalist creation at that time, and was also dissatisfied with the detailed and one-sided academic criticism of his predecessors. He felt that the selection at that time was inaccurate, and he was determined to establish a academic theoretical system.
"Heart Diaolong" promotes Confucianism. The first five chapters include Yuandao, Zhengsheng, Zongjing, Zhengwei, and Biansao. The focus is on elaborating Confucianism and promoting Confucian academic viewpoints to correct the impractical trend at that time.
"Heart Carving Dragon" advocates equal emphasis on quality and requires equal emphasis on content and form; the works of excellent writers must be able to achieve the point where quality is immortal and the breadth is not overwhelming.
The book advocates natural learning to correct the prevailing trend of carving and obscenity; advocates authentic learning to correct the prevailing trend of idle moaning; and advocates the creation of learning to correct the prevailing trend of plagiarism and copying.
"Heart Diaolong" discusses the relationship between science and the environment, believing that science is affected by the social environment and the natural environment.
??The commentators before Liu Xie, such as Cao Pi and Lu Ji, all regarded genius as the decisive factor in learning and creation. On the one hand, Liu Xie acknowledged the importance of talent, but he also believed that various changes in learning were mainly due to the external social environment, that is to say, changes were influenced by world conditions, and rise and fall were determined by time.
He also noticed the influence of climate, season and mountain scenery on writers.
"Heart Carving Dragon" establishes criticism. Regarding the cultivation of critics, in the Zhiyin chapter, Liu Xie proposed that critics should be knowledgeable and improve their ability to distinguish. They should know the sound after practicing thousands of songs, and recognize the weapon after observing thousands of swords.
??????????????????????????????????????????????????????????????OUTOUT The image of round illumination requires extensive observation first. Regarding the attitude of critics, Liu Xie believes that one cannot value the past and despise the present, one cannot respect oneself and suppress others, and must give up subjective likes and dislikes.
Regarding the standards of criticism, Liu Xie proposed six views. Before reading the situation, he first marked the six views. One is to observe the position, the second is to observe the words, the third is to observe the changes, the fourth is to observe the strange and correct, the fifth is to observe the events, and the sixth is to observe the palace business. This technique has its form, and its advantages and disadvantages can be seen.
"Heart Carving Dragon" explores the classification of styles and initially establishes the concept of analysis and criticism from a historical perspective. The book expounds the academic proposition that quality comes before quality and pays equal attention to quality, and explains the relationship between content and form in a relatively comprehensive manner.
? Summarize the creative experience from all aspects of creation, and initially establish a methodology for learning criticism.
"Heart Carving Dragon" caused later generations to criticize the emphasis on form over content, and also inspired later generations to study creation and criticism. - Didn't finish reading? Add this book to your favoritesI'm a member and bookmarked this chapterCopy the address of this book and recommend it to your friends for pointsChapter error? Click here to report
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