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Volume 3: A blow of destiny, the king appears Chapter 109: The powerful are free, the Book of Changes

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    Mao Zhedong glanced at the word "freedom" that King Xiaoyao quoted from the world, and laughed and said: "Freedom!"  Xiaoyao little brother, your freedom and my freedom are two different freedoms.  Literature Museum

    My freedom is my freedom. Your freedom can only exist in the spiritual world and is ethereal. I am truly free!  However, I don¡¯t have the freedom to be free and easy. What I have is the freedom of supreme power. What I have is the freedom to challenge and the freedom to practice.

    What you have is all internal cultivation, and what you have released externally is just the freedom on the path.  Watch me practice the martial arts of freedom of power for your reference!

    Mao Zhedong stood up, taking one step leisurely and one step proudly.  He put his hands behind his back and then pushed forward.  An aura of authority and power emerged.

    "Drink!" There was a sound of thunder!  The sound was concentrated into a beam of light. Mao Zhedong, who had his hands behind his back, looked out with one hand, and the light rolled on his palm, as if he was happily obeying Mao Zhedong's orders.

    When King Xiaoyao saw Mao Zhedong's beautiful skills, he felt itchy for a moment. He stood up and made a stroke in the air. The swirling breeze rushed towards the light formed by the sound beam in Mao Zhedong's hand.

    Mao Zhedong laughed: Well done!  He stretched out his other hand and rubbed it, and the sound beam light that was originally in his palm moved to the back, and then flew up to attack Xiaoyao King.

    The sound beam that attacks King Xiaoyao is filled with light!  free!  The powerful force of power and freedom is the voice of authoritarian freedom, omnipresent, unlimited, and the martial arts of great freedom that is easy to defend and easy to attack.

    When King Xiaoyao saw Mao Zhedong, he not only easily perfected his "Qingfeng Xiaoyao" move, but also counterattacked with a mysterious martial arts move "The Freedom of the Powerful One".

    The famous trick of "Xiaoyao Dao" is to cross Xiaoyao. King Xiaoyao floats and gleams, sways gently, and moves continuously in an instant.  However, Mao Zhedong's power-free move always followed King Xiaoyao like a shadow.

    Mao Zhedong sat back under the pavilion of time and space, smiling and watching how King Xiaoyao solved his move.

    King Xiaoyao understands the origin of power and freedom.  Mao Zhedong is more familiar and in control of him than he is, and he finds that it is impossible for Xiaoyao Dao to cross the source of freedom of the powerful martial arts.

    So at that moment, he changed his mind and used the martial arts of the eternal "Dao of the Gods" promised by the gods, the ninth style of the great god. In an instant, King Xiaoyao's body changed, and he no longer looked like an immortal. His momentum increased, and he hardened  The sound beam that blasts the freedom of the powerful

    I¡¯ve been hearing this since I was a kid, but I never knew what it was talking about.  First, I am lazy.  Secondly, it doesn¡¯t matter if you don¡¯t understand.

    "The Book of Changes" is one of the oldest documents in China, and is respected by Confucians as the first of the Five Classics; the three great ancient books: "The Yellow Emperor's Internal Classic", "The Book of Changes", and "The Classic of Mountains and Seas".

    "The Book of Changes" uses a system of symbols to describe the simplicity, change, and difficulty of states, expressing the philosophy and cosmology of Chinese classical culture.  Its central idea is to describe everything in the world through the alternation of yin and yang.

    "The Book of Changes" was originally used for divination, but its influence spreads across all aspects of Chinese philosophy, religion, medicine, astronomy, arithmetic, literature, music, art, military and martial arts.  Since the seventeenth century.  The Book of Changes was also introduced to the West.

    "Yi" originally had three versions: "Lianshan", "Guizang" and "Zhouyi", but "Lianshan" and "Guizang" have been lost, so the "Book of Changes" generally refers to "Zhouyi".

    "The Book of Changes" is said to have been edited by King Wen of Zhou Dynasty. It was written around the Western Zhou Dynasty. It can be divided into thirty hexagrams in the "Shang Jing" and thirty-four hexagrams in the "Xia Jing".

    With the evolution of the times, the text meaning of "Zhouyi" was no longer easy to understand by the Spring and Autumn Period and the Warring States Period.  In order to annotate the "Book of Changes", figures from the Spring and Autumn and Warring States periods (recorded as Confucius in historical records) wrote "åèÉÏ´«", "åèÏ´«", "Xiang Zhuan" (Elephant), "Xiangxia Zhuan" (Little Elephant),  Works such as "The Upload of Xici", "The Second Biography of Xici", "Classical Classics", "Xu Gua Zhuan", "Shuo Gua Zhuan" and "Miscellaneous Gua Zhuan" are collectively called "Ten Wings", and later also known as "Yi Zhuan"  ¡·.  The "Book of Changes" in a broad sense includes the "Book of Changes".

    "Book of Changes" or Zhouyi.  In several earlier documents (such as "The Analects", "Zhuangzi", "Zuo Zhuan", etc.) it is called "Yi".

    There are several explanations for Yi:

    1. It must be pointed out that understanding the changes in the Western Zhou Dynasty should be based on the transformation of the ritual and music system of the Western Zhou Dynasty.  Etiquette refers to the etiquette of calmness, and ease refers to elegant music.  They are all means and tools used by the ruling class to control the people and maintain the patriarchal system.

    "The Book of Changes" preserves the framework and regulations of the Bell and Drum Symphony of the Western Zhou Dynasty.  It was unimaginable for the lower class society of the Western Zhou Dynasty to eat bells and dishes.

    2. The sun and moon are easy, symbolizing yin and yang.  Taken from "Book of Changes Shen Tong Qi" by Wei Boyang of the Eastern Han Dynasty.

    3. The sunrise is easy.  Chen Guying believes that this meaning is also the original meaning of Qian.

    4. Yi is the name of divination.

     5. The meaning of change and change means that everything in the world is constantly changing, so "Book of Changes" is a book that teaches people to face changes.  The material world is in absolute motion, and thinking reflects existence, so thinking should also be constantly changing and advancing with the times.  That is the unity of heaven and man.

    6. Transaction, that is, the mutual changes of yin and yang, and yang and yin.  As shown in the general Tai Chi diagram.

    7. Yi is the Tao, the eternal truth. Even if things change with time and space, the eternal Tao remains unchanged.

    8. "Xici Zhuan": Life is called change.  (The meaning of life is endless, the meaning of life is to create the life that continues in the universe, and to appreciate the beauty of life, new and new every day.)

    Zheng Xuan of the Eastern Han Dynasty's work "Yi Lun" believed that the name "Yi" has three meanings: "Yi" is one; "Change" is two; and "Yi" is three.  This sentence summarizes the three meanings of Yi: simplicity, change and constancy.  That is to say, the existence state of things in the universe is:

    1. It follows nature and shows two qualities: ease and simplicity; 2. It is always changing; 3. It also maintains a kind of constancy.

    As the "Book of Songs" says, the sun and the moon are constant or the moon is constant and rising. The movement of the sun and the moon shows a kind of non-artificial nature, which is simple; its position and shape change from time to time, which is change;  However, it is not easy to always come out in the East and fall in the West.

    In the records of Taidivination in "The Rites of Zhou", there is also a statement about the "Three Changes"; "The Rites of Zhou and Chunguan Taidivination": it controls the method of the three changes, one is called Lianshan, the second is called Guizang, and the third is called Zhouyi.  Its hexagrams are all eight, and its divisions are all sixty and four.  The "Three Yis" refer to the "Lianshan" Yi, the "Guizang" Yi and the "Zhou Yi":

    1. "Lianshan" is said to be a Yi created by Fuxi or Shennong, and was written in the Xia Dynasty.  "Lianshan" Yi is headed by Gen Gua, and the clouds coming out of Xiangshan are continuous.

    2. The "Yi" in the Huangdi era was the "Gui Zang" Yi, which was used for divination in the Yin and Shang dynasties.  "Gui Zang" is based on the Kun hexagram, in which all things are returned and hidden.

    3. It is said that the Book of Changes was created by King Wen of Zhou Dynasty and became popular in the Zhou Dynasty.  The Zhouyi begins with the Qian and Kun hexagrams.

    The name of the Book of Changes was first seen in the "Book of Rites of Zhou" (originally called "Zhou Guan", which was roughly written in the Warring States Period).

    There are several different interpretations of the name "Zhouyi":

    Zhou, written in "Yi Lun" by Zheng Xuan of the Eastern Han Dynasty, believes that Zhou means Zhou Pu, which means being prepared for everything and starting again and again.

    Kong Yingda's "Book of Changes of Justice" of the Tang Dynasty believes that Zhou refers to the place name of Qishan County (ancient name is Xiqi, the birthplace of the Western Zhou Dynasty) in Shaanxi Province, China, and is the generation name of the Zhou Dynasty.

    Among the three Yis, Lianshan Yi and Guizang Yi have been lost and are not listed in "Hanshu Yiwenzhi".  Only the Book of Changes from Zhou Dynasty has been handed down.

    "The Book of Changes" refers to classic works.  Confucianism regards "Book of Changes", "Book of Songs", "Book of Songs", "Book of Rites" and "Spring and Autumn" as the "Five Classics".

    As mentioned above, "Classics" was a title added later to honor these books. Originally, the "Five Classics" were only called "Yi", "Poetry", "Book", "Li" and "Spring and Autumn".

    There has always been much controversy over the time when the Zhouyi was written.  Legend has it that the ancient Fu Xi created the Bagua and Xia Yu expanded it into sixty-four hexagrams. The sixty-four hexagrams were recorded in the book "Lianshan", with Gen as the first hexagram in "Lianshan".
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